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Cold War Legacies

Systems, Theory, Aesthetics

John Beck, Ryan Bishop (Herausgeber)

Buch | Softcover
320 Seiten
2018
Edinburgh University Press (Verlag)
978-1-4744-3224-5 (ISBN)
CHF 54,90 inkl. MwSt
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From futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we are now living in a world imagined and engineered during the Cold War.
Drawing on theorists such as Jean Baudrillard, Jacques Derrida, Michel Foucault, Luce Irigaray, Friedrich Kittler, Michel Serres, Peter Sloterdijk, Carl Schmitt, Bernard Stiegler and Paul Virilio this collection makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture.

John Beck is Professor of Modern Literature at the University of Westminster. He has published widely on American cultural politics and intellectual history in relation to literature, art and visual culture. Books include Landscape as Weapon: Cultures of Exhaustion and Refusal (2021), Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (co-authored with Ryan Bishop, 2020), and Dirty Wars: Landscape, Power and Waste in Western American Literature (2009). Ryan Bishop is Professor of Global Arts and Politics and Co-director of the research group Archaeologies of Media and Technology at the Winchester School of Art, University of Southampton, United Kingdom. He co-edits the journal Cultural Politics (Duke UP), and is a series editor for Technicities (Edinburgh University Press) and Cultural Politics (Duke UP).

List of FiguresSeries Editors’ PrefaceAcknowledgementsNotes on Contributors

Introduction: The Long Cold WarJohn Beck and Ryan Bishop

Part I: Pattern Recognition

1. The Future: RAND, Brand and Dangerous to KnowJohn Beck

2. Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 OnwardsAdrian Mackenzie

3. Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual ArtsAura Satz and Jussi Parikka

Part II: The Persistence of the Nuclear

4. The Meaning of Monte BelloJames Purdon

5. Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and OnkaloAdam Piette

6. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear ModernityEle Carpenter

7. Alchemical Transformations? Fictions of the Nuclear State after 1989Daniel Grausam

Part III: Ubiquitous Surveillance

8. ‘The Very Form of Perverse Artificial Societies’: The Unstable Emergence of the Network Family from its Cold War Nuclear BunkerKen Hollings

9. The Signal-Haunted Cold War: Persistence of the SIGINT OntologyJussi Parikka

10. ‘Bulk Surveillance’, or The Elegant Technicities of MetadataMark Coté

Part IV: Pervasive Mediations

11. Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office TowerJohn W. P. Phillips

12. Insect Technics: War Vision MachinesFabienne Collignon

13. Overt ResearchNeal White and John Beck

14. Smart Dust and Remote Sensing: The Political Subject in Autonomous SystemsRyan Bishop

Index

Erscheinungsdatum
Reihe/Serie Technicities
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Gewicht 486 g
Themenwelt Kunst / Musik / Theater Allgemeines / Lexika
Geschichte Allgemeine Geschichte Zeitgeschichte
Geisteswissenschaften Philosophie Allgemeines / Lexika
Technik Architektur
ISBN-10 1-4744-3224-7 / 1474432247
ISBN-13 978-1-4744-3224-5 / 9781474432245
Zustand Neuware
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