Sexy, provocative and challenging, Espresso is a rich, dark, bitter hit of comedy and sensuality. One of Lucia Frangione's blasphemy plays,' it inverts the Catholic stereotypes of feminine sexuality to boldly examine their corresponding masculine sexual emblems of Father, Son and Holy Ghost. In an erotic world where men are traditionally cast as either fathers to be looked up to or sons to be looked after, where, for women, is the possibility of a flesh-and-blood lover, challenging her to open her heart without trespassing her will-a lover as he appears in the Song of Solomon: passionate, earthy, creative, vulnerable and beautiful- the avatar of the holy spirit? There has been a horrible car crash, and Vito, the patriarch of an immigrant family, has had his body smashed and his heart lacerated, his life hanging by threads of tubes and wires in an intensive care ward. His family has rushed in from all over the country for an anxious vigil of hope, prayer and memory by his bedside. In this crucible of anxiety, a single actress alternately narrates and enacts her own and her family's history along with an uninvited narrator/actor, Amante ("e;lover"e; in Italian). As Amante engages all the women of the clan Rosa plays in a swirl of sharply portrayed characters-Vito's mother, Nonna, forced into marriage at 13 but only now, at 67, experiencing the first intimations of her body's desire; the pit-bull martyrdom of Vito's second wife, Vincenza; and Rosa herself in her own thin, urbane skin stretched tight to hold in the red, passionate blood that boils just below the surface-we are never sure whether Rosa has created Amante or he has created her.Cast of 1 woman and 1 man.
lt;div>Lucia Frangione
Award-winning playwright and actress Lucia Frangione is the recipient of the 2006 and 1998 Gordon Armstrong Playwright Awards and won the Sydney Risk playwright award for Cariboo Magi in 2001. Espresso was nominated for seven Jessie awards, toured Western Canada in 2004 and was translated into Polish and performed for a year at Teatr Jeleniogorski in 2007. Frangione has performed in her own plays to much acclaim, notably earning Jessie Richardson Award nominations for her leading performances in Holy Mo and Espresso as well as winning the CAEA Stage West National Acting Award in 2003.
| Erscheint lt. Verlag | 6.5.2016 |
|---|---|
| Sprache | englisch |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
| Schlagworte | Christianity • Drama • Faith • gender roles • Italy • Play • Religion • Sexuality |
| ISBN-10 | 1-77201-089-8 / 1772010898 |
| ISBN-13 | 978-1-77201-089-3 / 9781772010893 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Kopierschutz: Adobe-DRM
Adobe-DRM ist ein Kopierschutz, der das eBook vor Mißbrauch schützen soll. Dabei wird das eBook bereits beim Download auf Ihre persönliche Adobe-ID autorisiert. Lesen können Sie das eBook dann nur auf den Geräten, welche ebenfalls auf Ihre Adobe-ID registriert sind.
Details zum Adobe-DRM
Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belletristik und Sachbüchern. Der Fließtext wird dynamisch an die Display- und Schriftgröße angepasst. Auch für mobile Lesegeräte ist EPUB daher gut geeignet.
Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen eine
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen eine
Geräteliste und zusätzliche Hinweise
Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.
aus dem Bereich