Hamlet (eBook)
120 Seiten
Nordica Libros (Verlag)
978-84-92683-84-0 (ISBN)
William Shakespeare (Stratford-upon-Avon, 1564-1616). Dramaturgo y poeta inglés. En el inicio de su carrera se trasladó a Londres, donde rápidamente adquirió fama y popularidad por su trabajo para la compañía Chamberlain's Men, más tarde conocida como King's Men. De su producción poética cabe destacar La violación de Lucrecia (1594) y los Sonetos (1609), de temática amorosa y que por sí solos lo situarían entre los grandes de la poesía anglosajona. Es considerado el escritor más importante en lengua inglesa y uno de los más célebres de la literatura universal. Sus obras han sido traducidas a las principales lenguas y sus piezas dramáticas continúan representándose por todo el mundo. Javier Zabala | Ilustrador Javier Zabala (Léon, 1962). Estudió Diseño Gráfico e Ilustración en la Escuela de Arte de Oviedo. Ha ilustrado más de 60 libros para las más importantes editoriales españolas y algunas de las más prestigiosas de Suiza, Italia, Reino Unido, China... Sus libros han sido publicados en 15 idiomas y sus ilustraciones expuestas en numerosas muestras por todo el mundo. En 2005 recibe la Mención de Honor de los Premios de la Feria Internacional del libro infantil y juvenil de Bolonia por su libro D. Quijote. El Ministerio de Cultura español le otorga el Premio Nacional de Ilustración 2005 por El Soldadito Salomón.
Hamlet, probably written between 1599 and 1601, takes place in Denmark, recounts how Prince Hamlet carries out his revenge on his uncle Claudius, who murdered his father, the king, marrying his mother, Gertrude, and showing the crown of Denmark . The work is drawn vividly about madness (both real and feigned) and it is perceived in the mind over the prince of the deep pain to excessive anger. Also explores the themes of betrayal, revenge, incest, and moral corruption.
ACT I
SCENE I
Elsinore. A platform before the Castle.
[Francisco at his post. Enter to him Bernardo.]
Ber. Who's there?
Fran. Nay, answer me: stand, and unfold yourself.
Ber. Long live the king!
Fran. Bernardo?
Ber. He.
Fran. You come most carefully upon your hour.
Ber. 'Tis now struck twelve. Get thee to bed, Francisco.
Fran. For this relief much thanks: 'tis bitter cold,
And I am sick at heart.
Ber. Have you had quiet guard?
Fran. Not a mouse stirring.
Ber. Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
Fran. I think I hear them.—Stand, ho! Who is there?
[Enter Horatio and Marcellus.]
Hor. Friends to this ground.
Mar. And liegemen to the Dane.
Fran. Give you good-night.
Mar. O, farewell, honest soldier; Who hath reliev'd you?
Fran. Bernardo has my place. Give you good-night.
[Exit.]
Mar. Holla! Bernardo!
Ber. Say. What, is Horatio there?
Hor. A piece of him.
Ber. Welcome, Horatio:—Welcome, good Marcellus.
Mar. What, has this thing appear'd again to-night?
Ber. I have seen nothing.
Mar. Horatio says 'tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us:
Therefore I have entreated him along
With us to watch the minutes of this night;
That, if again this apparition come
He may approve our eyes and speak to it.
Hor. Tush, tush, 'twill not appear.
Ber. Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,
What we two nights have seen.
Hor. Well, sit we down,
And let us hear Bernardo speak of this.
Ber. Last night of all,
When yond same star that's westward from the pole
Had made his course to illume that part of heaven
Where now it burns,
Marcellus and myself,
The bell then beating one,—
Mar. Peace, break thee off; look where it comes again!
[Enter Ghost, armed.]
Ber. In the same figure, like the king that's dead.
Mar. Thou art a scholar; speak to it, Horatio.
Ber. Looks it not like the King? mark it, Horatio.
Hor. Most like:—it harrows me with fear and wonder.
Ber. It would be spoke to.
Mar. Question it, Horatio.
Hor. What art thou, that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee, speak!
Mar. It is offended.
Ber. See, it stalks away!
Hor. Stay! speak, speak! I charge thee speak!
[Exit Ghost.]
Mar. 'Tis gone, and will not answer.
Ber. How now, Horatio!
You tremble and look pale:
Is not this something more than fantasy?
What think you on't?
Hor. Before my God,
I might not this believe
Without the sensible and true avouch
Of mine own eyes.
Mar. Is it not like the King?
Hor. As thou art to thyself:
Such was the very armour he had on
When he the ambitious Norway combated;
So frown'd he once when, in an angry parle,
He smote the sledded Polacks on the ice.
'Tis strange.
Mar. Thus twice before, and jump at this dead hour,
With martial stalk hath he gone by our watch.
Hor. In what particular thought to work I know not;
But, in the gross and scope of my opinion,
This bodes some strange eruption to our state.
Mar. Good now, sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land;
And why such daily cast of brazen cannon,
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week;
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is't that can inform me?
Hor. That can I;
At least, the whisper goes so. Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dar'd to the combat; in which our valiant Hamlet,—
For so this side of our known world esteem'd him,—
Did slay this Fortinbras; who, by a seal'd compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands,
Which he stood seiz'd of, to the conqueror:
Against the which, a moiety competent
Was gaged by our king; which had return'd
To the inheritance of Fortinbras,
Had he been vanquisher; as by the same cov'nant,
And carriage of the article design'd, His fell to Hamlet.
Now, sir, young Fortinbras, Of unimproved mettle hot and full,
Hath in the skirts of Norway, here and there,
Shark'd up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in't; which is no other,—
As it doth well appear unto our state,—
But to recover of us, by strong hand,
And terms compulsatory, those foresaid lands
So by his father lost: and this,
I take it, Is the main motive of our preparations,
The source of this our watch, and the chief head
Of this post-haste and romage in the land.
Ber. I think it be no other but e'en so:
Well may it sort, that this portentous figure
Comes armed through our watch; so like the king
That was and is the question of these wars.
Hor. A mote it is to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless, and the sheeted dead
Did squeak and gibber in the Roman streets;
As, stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star,
Upon whose influence Neptune's empire stands,
Was sick almost to doomsday with eclipse:
And even the like precurse of fierce events,—
As harbingers preceding still the fates,
And prologue to the omen coming on,—
Have heaven and earth together demonstrated
Unto our climature and countrymen.—
But, soft, behold! lo, where it comes again!
...| Erscheint lt. Verlag | 1.6.2012 |
|---|---|
| Sprache | englisch |
| Themenwelt | Literatur ► Comic / Humor / Manga |
| Literatur ► Lyrik / Dramatik ► Dramatik / Theater | |
| ISBN-10 | 84-92683-84-8 / 8492683848 |
| ISBN-13 | 978-84-92683-84-0 / 9788492683840 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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