Music for Sightsinging
Pearson (Verlag)
978-0-13-189662-8 (ISBN)
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Blending step-by-step guidance with frequent practice, this text helps students cultivate an understanding of sight singing. This text presents melodies and exercises that enable students to develop the skills of reading pitch, reading rhythm, and combining these two essential elements.
The Sixth Edition contains nearly 1200 melodies taken from a wide spectrum of music literature and the world's folk music.
I. MELODY: DIATONIC INTERVALS. RHYTHM: DIVISION OF THE BEAT.
1. RHYTHM: Simple Time (Meter); The Beat and its Division Into Two Parts.
2. MELODY: Scale-line Melodies. RHYTHM: Simple Time; The Beat and its Division Into Two Parts.
3. MELODY: Intervals from the Tonic Triad, Major Keys. RHYTHM: Simple Time.
4. MELODY: Intervals from the Tonic Triad, Major Keys. RHYTHM: Compound Time; The Beat and its Division into Three Parts.
5. Minor Keys; Intervals from the Tonic Triad. RHYTHM: Simple and Compound Time.
6. Intervals from the Dominant (V) Triad; Major and Minor Keys. RHYTHM: Simple and Compound Time.
7. The C Clefs: Alto and Tenor Clefs.
8. MELODY: Further Use of Diatonic Intervals. RHYTHM: Simple and Compound Time.
9. MELODY: Intervals from the Dominant Seventh Chord V7; Other Diatonic Intervals of the Seventh. RHYTHM: Simple and Compound Time.
II. MELODY: DIATONIC INTERVALS. RHYTHM: SUBDIVISION OF THE BEAT.
10. RHYTHM: The Subdivision of the Beat; The Simple Beat into Four Parts; The Compound Beat into Six Parts.
11. MELODY: Intervals from the Tonic and Dominant Triads. RHYTHM: Subdivision in Simple and Compound Time.
12. MELODY: Further Use of Diatonic Intervals. RHYTHM: Subdivision in Simple and Compound Time.
III. MELODY: CHROMATICISM. RHYTHM: FURTHER RHYTHMIC PRACTICES.
13. MELODY: Chromaticism (I): Chromatic Nonharmonic Tones; Dominant of the Dominant Harmony (V/V); Modulation to the Key of the Dominant.
14. MELODY: Chromaticism (II): Modulation to Closely Related Keys; Additional Secondary Dominant Harmonies.
15. RHYTHM: Syncopation.
16. RHYTHM and MELODY: Triplet Division of Undotted Note Values; Duplet Division of Dotted Note Values.
17. RHYTHM and MELODY: Changing Time Signatures; The Hemiola; Less Common Time Signatures.
18. RHYTHM and MELODY: Further Subdivision of the Beat; Slow Tempo.
19. MELODY: Chromaticism (III): Additional Uses of Chromatic Tones; Remote Modulation.
IV. THE MEDIEVAL MODES and TWENTIETH-CENTURY MUSIC.
20. MELODY: The Medieval Modes.
21. Twentieth Century Music.
Appendix: Musical Terms.
| Erscheint lt. Verlag | 26.3.2004 |
|---|---|
| Sprache | englisch |
| Gewicht | 481 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| ISBN-10 | 0-13-189662-8 / 0131896628 |
| ISBN-13 | 978-0-13-189662-8 / 9780131896628 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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