Lost in America n.b.k. Ausstellungen Bd. 24
Ausst. Kat. Neuer Berliner Kunstverein 2020/2021
Seiten
2021
König, Walther (Verlag)
978-3-96098-974-5 (ISBN)
König, Walther (Verlag)
978-3-96098-974-5 (ISBN)
Die Ausstellung Lost in America versammelte 37 Arbeiten von 19 US-amerikanischen Künstler*innen und setzte sich mit der ideologischen Formation von Produktionsverhältnissen, von Stadtplanung, Architektur und Design auseinander. Über die Dokumentation der Ausstellung hinaus bringt die vorliegende Publikation eine Reihe von weiterführenden Textbeiträgen aus unterschiedlichen Perspektiven zusammen: Kurator John Miller untersucht in seinem Essay das Verhältnis von Sprache, Ökonomie und Ideologie. Amy Allen stellt grundlegende Überlegungen zur Wirkmacht von „Fortschritt“ im Hinblick auf antidiskriminatorische Praktiken an. In „Design and Ideology (Design und Ideologie)“ analysieren Alexander Alberro, Dan Graham, Caitlin MacBride, Cameron Rowland und John Miller den Zusammenhang von Ideologie und Warenproduktion in den USA. In „Institution and Subjectivity as Social Constructs (Institution und Subjektivität als soziale Konstrukte)“ diskutieren Carver Audain, Calla Henkel und Max Pitegoff, Eric de Bruyn, Coco Fusco sowie John Miller die Frage, inwieweit Identität erst im Umfeld institutionalisierter Fremdzuschreibungen hervorgebracht wird. Zudem umfasst der Band zwei unveröffentlichte Texte von Dan Graham: Homes for America Rewind und Orange County Rock. Darüber hinaus wurde auch Grahams initialer Zeitschriftenartikel Homes for America (1966) faksimiliert in die vorliegende Publikation aufgenommen – ebenso wie ein Faksimile des Essays The Secret of the Rosenbergs (1988) von Martha Rosler.
Text: Amy Allen, Dan Graham, John Miller, Martha Rosler u. a. Bringing together 37 works by 19 artists from the United States, the exhibition Lost in America explored the ideological conditions shaping artistic production, urban planning, architecture and design. This publication not only serves as a documentation of the exhibition but also brings together a series of essays representating different critical perspectives. In his essay on the exhibition, John Miller explores the relationship between language, economics, and ideology. Amy Allen offers fundamental reflections on the power of progress in relation to anti-discriminatory practices. In the panel discussion on Design and Ideology, Alexander Alberro, Dan Graham, Caitlin MacBride, Cameron Rowland, and John Miller analyze the link between ideology and commodity production in the US. In the panel discussion Institution and Subjectivity as Social Constructs, Carver Audain, Calla Henkel, and Max Pitegoff, Eric de Bruyn, Coco Fusco, and John Miller discuss the extent to which identity is only produced in an environment of institutionalized ascriptions of others. Furthermore, two previously unpublished texts by Dan Graham are included in this publication: Homes for America Rewind und Orange County Rock. Additionally, this publication also includes a facsimile of Graham’s initial magazine article Homes for America (1966) as well as a facsimile of Martha Rosler’s essay The Secret of the Rosenbergs, which was part of her work Framing Ethel Rosenberg (1988).
Text: Amy Allen, Dan Graham, John Miller, Martha Rosler u. a.
Text: Amy Allen, Dan Graham, John Miller, Martha Rosler u. a. Bringing together 37 works by 19 artists from the United States, the exhibition Lost in America explored the ideological conditions shaping artistic production, urban planning, architecture and design. This publication not only serves as a documentation of the exhibition but also brings together a series of essays representating different critical perspectives. In his essay on the exhibition, John Miller explores the relationship between language, economics, and ideology. Amy Allen offers fundamental reflections on the power of progress in relation to anti-discriminatory practices. In the panel discussion on Design and Ideology, Alexander Alberro, Dan Graham, Caitlin MacBride, Cameron Rowland, and John Miller analyze the link between ideology and commodity production in the US. In the panel discussion Institution and Subjectivity as Social Constructs, Carver Audain, Calla Henkel, and Max Pitegoff, Eric de Bruyn, Coco Fusco, and John Miller discuss the extent to which identity is only produced in an environment of institutionalized ascriptions of others. Furthermore, two previously unpublished texts by Dan Graham are included in this publication: Homes for America Rewind und Orange County Rock. Additionally, this publication also includes a facsimile of Graham’s initial magazine article Homes for America (1966) as well as a facsimile of Martha Rosler’s essay The Secret of the Rosenbergs, which was part of her work Framing Ethel Rosenberg (1988).
Text: Amy Allen, Dan Graham, John Miller, Martha Rosler u. a.
| Erscheinungsdatum | 11.11.2021 |
|---|---|
| Reihe/Serie | n.b.k. Ausstellungen ; 24 |
| Sprache | englisch; deutsch |
| Maße | 160 x 250 mm |
| Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
| Schlagworte | Ausstellung • Bildende Kunst • Kunst in Amerika • n.b.k. • Neuer Berliner Kunstverein • Zeitgenössische Kunst |
| ISBN-10 | 3-96098-974-1 / 3960989741 |
| ISBN-13 | 978-3-96098-974-5 / 9783960989745 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
die letzten Jahre : the weight of being : the final years
Buch | Softcover (2025)
Wienand (Verlag)
CHF 49,90
