Sound Alignments

Popular Music in Asia's Cold Wars

Michael K. Bourdaghs, Paola Iovene, Kaley Mason (Herausgeber)

Buch | Softcover

304 Seiten

2021
Duke University Press (Verlag)
9781478011798 (ISBN)

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In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it.

Contributors. MariÉ Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang

Michael K. Bourdaghs is Robert S. Ingersoll Professor of East Asian Languages and Civilizations at the University of Chicago. He is the author of Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop. Paola Iovene is Associate Professor in East Asian Languages and Civilizations at the University of Chicago. She is the author of Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China. Kaley Mason is Assistant Professor of Music at Lewis and Clark College.

Acknowledgments vii
Introduction / Michael Bourdaghs, Paola Iovene, and Kaley Mason 1
Part I. Routes
1. Musical Travels of the Coconut Isles and the Socialist Popular / Jennifer Lindsay 43
2. Vehicles of Progress: The Kerala Rikshawala at the Intersection of Communism and Social Realism / Nisha Kommattam 69
3. East Asian Pop Music and an Incomplete Regional Contemporary / C.J. W.-L. Wee 93
Part II. Covers
4. Searching for Youth, the People (Minjung), and "Another" West While Living Through Anti-Communist Cold War Politics: South Korean "Folk Song" in the 1970s / Hyunjoon Shin 131
5. Cosmopolitanism, Vernacular Cosmopolitanism, and Sound Alignments: Covers and Cantonese Cover Songs in 1960s Hong Kong / Hon-Lun Yang 153
Part III. Fronts
6. Sonic Imaginaries of Okinawa: Daiku Tetsuhiro's Cosmopolitan "Paradise" / MariÉ Abe 173
7. Cosmaharaja: Popular Songs of Socialist Cosmopolitanism in Cold War India / Anna Schultz 201
8. Yellow Music Criticism during China's Anti-Rightest Campaign / Qian Zhang 231
Afterword: Asia's Soundings of the Cold War / Christine R. Yano 249
Bibliography 263
Contributors 285
Index 289

Erscheinungsdatum	17.05.2021
Zusatzinfo	15 illustrations
Verlagsort	North Carolina
Sprache	englisch
Maße	152 x 229 mm
Gewicht	431 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre
	Sachbuch/Ratgeber ► Geschichte / Politik ► Allgemeines / Lexika
	Geschichte ► Allgemeine Geschichte ► Zeitgeschichte
	Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte
ISBN-13	9781478011798 / 9781478011798
Zustand	Neuware