Photographic Afterlives
Art, Archives and the Algerian War of Independence
Seiten
2026
Manchester University Press (Verlag)
978-1-5261-8169-5 (ISBN)
Manchester University Press (Verlag)
978-1-5261-8169-5 (ISBN)
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This book explores the resurfacing of photographs from the Algerian War of Independence (1954–62) in contemporary art and photobooks by tracing some of the unexpected paths along which photographs travel and argues that contemporary archival art can equip viewers with the necessary tools for reading the broader archives of Algerian decolonisation. -- .
Photographic afterlives explores the cultural, social and political contexts in which photographs from the Algerian War of Independence (1954–1962) emerge in contemporary art and photobooks. It situates these practices against the backdrop of the wider archival turn in the humanities and the ongoing debates about archives in Algeria. Tracing the movement of historical photographs across multiple spaces, the book unravels the subsequent layers of meaning accrued by these images. It argues that as much as archival contemporary art performs an inquiry into the past, it equally speaks volumes about the distinct and ever-shifting needs of the present. Focused on the work of artists and photographers who excavate side-lined histories of the war, remediate well-known narratives and imagine histories that cannot be recovered from archives, Photographic afterlives shows the great potential of archives of decolonisation. -- .
Photographic afterlives explores the cultural, social and political contexts in which photographs from the Algerian War of Independence (1954–1962) emerge in contemporary art and photobooks. It situates these practices against the backdrop of the wider archival turn in the humanities and the ongoing debates about archives in Algeria. Tracing the movement of historical photographs across multiple spaces, the book unravels the subsequent layers of meaning accrued by these images. It argues that as much as archival contemporary art performs an inquiry into the past, it equally speaks volumes about the distinct and ever-shifting needs of the present. Focused on the work of artists and photographers who excavate side-lined histories of the war, remediate well-known narratives and imagine histories that cannot be recovered from archives, Photographic afterlives shows the great potential of archives of decolonisation. -- .
Katarzyna Falecka is a Lecturer in Art History at Newcastle University -- .
Introduction
1 Private archives, public histories
2 Women and war
3 The many lives of a mugshot
4 Identity photographs and their contested afterlives
Coda
Bibliography -- .
| Erscheint lt. Verlag | 2.6.2026 |
|---|---|
| Reihe/Serie | Rethinking Art's Histories |
| Zusatzinfo | 70 colour illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Fotokunst |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geschichte ► Teilgebiete der Geschichte ► Wirtschaftsgeschichte | |
| ISBN-10 | 1-5261-8169-X / 152618169X |
| ISBN-13 | 978-1-5261-8169-5 / 9781526181695 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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