Futurist Cinema
Studies on Italian Avant-garde Film
Seiten
2025
Routledge (Verlag)
9781041179948 (ISBN)
Routledge (Verlag)
9781041179948 (ISBN)
Rossella Catanese brings in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Rossella Catanese (PhD) is an associate professor at the University of Tuscia, Viterbo, Italy, and adjunct professor at NYU Florence. Her publications focus on avant-garde, experimental cinema, found footage, film heritage, and film restoration. She also received the Sixth Marcel Duchamp Research Grant from the Staatliches Museum Schwerin, Germany (2023).
Acknowledgements, Preface, Section 1: Joyful Deformation Of The Universe, Section 2: Daily Filmed Exercises Designed To Free Us From Logic, Section 3: Shopwindows Of Filmed Ideas, Events, Types, Objects, Index
| Erscheinungsdatum | 03.12.2025 |
|---|---|
| Reihe/Serie | Film Culture in Transition |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 480 g |
| Themenwelt | Geisteswissenschaften ► Geschichte |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-13 | 9781041179948 / 9781041179948 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
