Futurist Cinema
Studies on Italian Avant-garde Film
Seiten
2017
Pallas Publications (Verlag)
9789089647528 (ISBN)
Pallas Publications (Verlag)
9789089647528 (ISBN)
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Rossella Catanese brings in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.
Rossella Catanese (PhD) is an associate professor at the University of Tuscia, Viterbo, Italy, and adjunct professor at NYU Florence. Her publications focus on avant-garde, experimental cinema, found footage, film heritage, and film restoration. She also received the Sixth Marcel Duchamp Research Grant from the Staatliches Museum Schwerin, Germany (2023).
Acknowledgements, Preface, Section 1: Joyful Deformation Of The Universe, Section 2: Daily Filmed Exercises Designed To Free Us From Logic, Section 3: Shopwindows Of Filmed Ideas, Events, Types, Objects, Index
| Erscheinungsdatum | 17.03.2018 |
|---|---|
| Reihe/Serie | Film Culture in Transition |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 640 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-13 | 9789089647528 / 9789089647528 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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