Appropriation as Practice of Memory
Inventions, Uses, and Transformations of Religious Memory
Seiten
2024
|
1. Edition
Böhlau Köln (Verlag)
978-3-412-53142-3 (ISBN)
Böhlau Köln (Verlag)
978-3-412-53142-3 (ISBN)
Appropriation, Transformation, Re-imagination
This volume explores how narratives and iconographic codes in literature, art, music, material culture and social, political, and economic discourses were appropriated and thereby – sometimes radically – transformed by religious agents, and how religious narrations, discourses and iconographic practices were reimagined and used (up to radical deconstruction) in non-religious contexts as well as in different or transformed religious contexts. Religious appropriation is thereby conceived as practice of memory, drawing on reused – and creating transformed – narrative and visual spaces of imagination. The dimension of memory will contribute to a more differentiated typology of practices of appropriation, their forms, functions and functionalisation. Agency and power relations will be important factors in the individual contributions of this trans-disciplinary volume that links approaches from memory studies, religious history, literary studies, and art history.
This volume explores how narratives and iconographic codes in literature, art, music, material culture and social, political, and economic discourses were appropriated and thereby – sometimes radically – transformed by religious agents, and how religious narrations, discourses and iconographic practices were reimagined and used (up to radical deconstruction) in non-religious contexts as well as in different or transformed religious contexts. Religious appropriation is thereby conceived as practice of memory, drawing on reused – and creating transformed – narrative and visual spaces of imagination. The dimension of memory will contribute to a more differentiated typology of practices of appropriation, their forms, functions and functionalisation. Agency and power relations will be important factors in the individual contributions of this trans-disciplinary volume that links approaches from memory studies, religious history, literary studies, and art history.
Paul Oberholzer lehrt mittelalterliche Geschichte an der Fakultät für Kirchengeschichte an der Päpstlichen Universität Gregoriana in Rom.
Jacques Picard ist Professor emeritus für Jüdische Geschichte und Kultur in der Moderne an der Universität Basel und Fellow der Universität Haifa – Emeritus for Modern Jewish History and Culture at the University of Basel, Switzerland, and Fellow of the University of Haifa, Israel.
Dimiter Daphinoff ist emeritierter Professor für Englische Literatur an der Universität Freiburg.
Franziska Metzger ist Professorin für Geschichte an der Pädagogischen Hochschule Luzern.
| Erscheinungsdatum | 30.10.2024 |
|---|---|
| Reihe/Serie | Erinnerungsräume ; Band 005 |
| Co-Autor | Sandra Frühauf, Jonathan Brumberg-Kraus, Florian Bock, Giuliana Ferreccio, Roland Innerhofer, Stefan Laube, David Morgan, Jude V. Nixon, Paul Oberholzer, Jacques Picard, Jörg Rüpke, Maria Schubert, Thomas Zaugg |
| Mitarbeit |
Herausgeber (Serie): Franziska Metzger, Dimiter Daphinoff |
| Zusatzinfo | incl. 68 coloured images |
| Verlagsort | Köln |
| Sprache | englisch |
| Maße | 160 x 235 mm |
| Gewicht | 757 g |
| Themenwelt | Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte |
| Schlagworte | Art History • Literary Studies • Memory Studies • Religious appropriation • Religious History |
| ISBN-10 | 3-412-53142-1 / 3412531421 |
| ISBN-13 | 978-3-412-53142-3 / 9783412531423 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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