New Materialist Affirmations
Edinburgh University Press (Verlag)
978-1-3995-0535-2 (ISBN)
This international collection brings together arts-based researchers to explore how new materialisms have changed creative research practice. Grounded in a framework of affective and conceptual creativity, it makes existing and emerging pathways in research visible to challenge dualistic modes of thought-in-practice.
With a focus on the methods employed by individual researchers, the coverage is interdisciplinary, including screen and sound production, dance, literary theory, social media, creative writing and community arts. The collection explores transformations in scholarly practice through methods of ‘crimping’ which reflect the 4 thematic sections: bending, joining, making waves and holding.
Anna Hickey-Moody is the inaugural Professor of Intersectional Humanities in the Arts and Humanities Research Institute at Maynooth University. Her work explores intersecting angles of disadvantage through philosophical and creative approaches. She came to Maynooth to develop interdisciplinary research culture exploring intersectionality across the humanities. Prior to joining Maynooth, Anna was Professor of Media and Communication at RMIT University, Melbourne where she held an Australian Research Council Future Fellowship called Interfaith Childhoods. For this large research project, Anna created a unique, responsive research design that allowed her to collaborate with hard-to-reach communities through building strong relationships with children through artmaking. She worked with schools, communities and religious organisations across Australia and the UK to collect and share stories of faith told by diverse religious and secular people. This method offered a way of developing public understandings of what belonging feels like in superdiverse, multicultural cities. You can read what the research participants had to say in the book Faith stories: sustaining meaning and community in troubling times (MUP, 2023). Anna also led the Creative Research in Methods and Practice (CRiMP) Lab and you can read the lab’s work in a collection coming out with Edinburgh University Press in 2024. This feminist research laboratory supported a community of queer and gender-diverse researchers working at the intersection of creative practice as a research method, visual sociology and creative anthropology at RMIT. Before joining RMIT University, Anna was Associate Professor of Gender and Cultural Studies at the University of Sydney. She has also held positions at Goldsmiths, London and Monash University, Melbourne. Anna is a very experienced PhD supervisor and is available to supervise projects exploring religion, disability, sexuality, gender, race, youth. She has published widely on gender, sexuality, disability, religion and race and racism as they shape young lives. Suvi Pihkala is a postdoctoral researcher in Gender Studies in the University of Oulu, Finland and a member of the creative and activist FIRE research collective. Her research is inspired by feminist posthuman, new materialist and post-qualitative approaches and the re-thinking of ethics and responsibility they have prompted in and for social research theory and praxis. She has worked as Co-Editor-in-Chief for Sukupuolentutkimus-Genusforskning [Finnish Journal of Gender Studies] and has published actively in key journals of her field of expertise, including International Journal of Social Research Methodology, Reconceptualizing Educational Research Methodologies and Journal of Gender Studies. Gretchen Coombs is a lecturer in the School of Design, Master of Design Futures at RMIT University in Naarm (Melbourne). She has a PhD in anthropology and a MA in visual criticism. She is the author of The Lure of the Social: Encounters with Contemporary Artists (2021), co author of Creative Practice Ethnographies (2019), and most recently, co-edited Care Ethics and Art (2022). In addition to academic journals, her art writing has appeared in Hyperallergic, The Brooklyn Rail, and Eyeline. Gretchen runs writing workshops for artists and designers who want to learn more about ethnographic and creative methods for their social practice. Marissa Willcox is a digital ethnographer and feminist theorist. She is a Lecturer in New Media and Digital Culture at the University of Amsterdam, and is a Researcher on the EU HORIZON funded vera.ai project. She has co-authored a book on arts-based research methods (2021) and has co-authored 6 peer-reviewed scholarly publications based on ethnographic research from the Interfaith Childhoods project lead by Prof Anna Hickey-Moody.
List of figures
List of tables
Acknowledgements
Preface
Contributors
1. CRiMPing methodologies: introduction to new materialist creative interventions in methods and practice
Anna Hickey-Moody and Suvi Pihkala, with Marissa Willcox, Gretchen Coombs
Part 1. Bending practice: de/forming thought and fields of research
2. Bending feminism: interview with Professor Sabine Hark
3. RSVP cycles: post-humanist pedagogies
Anna Hickey-Moody and Jo Pollitt with Mindy Blaise
4. Bending time through participatory video methods: re-assembling urban kino-cinema with young people
David Rousell, Laura Trafi-Prats and Elizabeth de Freitas
5. As a matter of play: playful methods for the human and social sciences
Sybille Lammes and Angus Mol
Part 2. Joining together: new methods for bridging disciplines together
6. Joining: a collaboration between Katie King and Anna Hickey-Moody
7. Creative humanities for the algorithmic condition: joining theory and art for a curation of knowledge
Iris van der Tuin and Nanna Verhoeff
8. Saltfish: ecologies of creative processes
Alessandro Antonello, Tully Barnett, Jennifer Eadie, Amy Matthews, Stephen Muecke, Jana Norman and Stephen Zagala
9. Following table-work: affirming more-than-human agency in art-based workshops
Katve-Kaisa Kontturi
Part 3. Making waves: methodological and theoretical strategies for making change
10. Making waves: an interview with Avtar Brah
11. Practising geopoetics: re-envisioning research creation through nature-creative walking-writing
Dorota Golańska
12. Friendship Workshops: a feminist arts-based intra-activist methodology with children and young people
Suvi Pihkala, Tuija Huuki, Eveliina Puutio and Helena Louhela
13. Catching a wave: how live performance enables new views of early childhood
Sally Chance
Part 4. Holding patterns: creative methods as a challenge to practices of knowledge restriction
14. Holding: interview with Françoise Vergès
15. Holding space through queer documentary film and kinship making
Patrick Kelly
16. Social materials
Gretchen Coombs
17. Follow the material, follow the dirt
Hélène Frichot
18. Crimping power: an ethics of practice in creative methods
Anna Hickey-Moody, Gretchen Coombs, Suvi Pihkala and Marissa Willcox
| Erscheinungsdatum | 13.05.2025 |
|---|---|
| Reihe/Serie | New Materialisms |
| Zusatzinfo | 49 b&w illustrations and 5 tables |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Philosophie ► Metaphysik / Ontologie | |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| ISBN-10 | 1-3995-0535-1 / 1399505351 |
| ISBN-13 | 978-1-3995-0535-2 / 9781399505352 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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