Anonymity Performance in Electronic Pop Music
transcript (Verlag)
978-3-8376-4256-8 (ISBN)
Critical anonymity performance in electronic pop music calls for experimental research and writing towards a performance ethnography of music culture.
Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?
This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.
Stefanie Kiwi Menrath (Dr. phil.) is postdoctoral fellow at the University of Hildesheim and works in cultural and music education projects.
| Erscheinungsdatum | 11.01.2019 |
|---|---|
| Reihe/Serie | Studien zur Popularmusik |
| Verlagsort | Bielefeld |
| Sprache | englisch |
| Maße | 148 x 225 mm |
| Gewicht | 393 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Geisteswissenschaften | |
| Sozialwissenschaften | |
| Schlagworte | anonymity • Cultural Studies • Culture • ethnography • music • musicology • Performance • Pop Music • popular culture |
| ISBN-10 | 3-8376-4256-9 / 3837642569 |
| ISBN-13 | 978-3-8376-4256-8 / 9783837642568 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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