A Continuous Revolution
Making Sense of Cultural Revolution Culture
Seiten
2016
Harvard University, Asia Center (Verlag)
9780674970533 (ISBN)
Harvard University, Asia Center (Verlag)
9780674970533 (ISBN)
Cultural Revolution Culture, often denigrated as pure propaganda, was liked not only in its heyday but continues to be enjoyed today. Considering this art—music, stage works, posters, comics, literature—in its longue durée, Barbara Mittler suggests it builds on a tradition of earlier works, allowing for proliferation in contemporary China.
Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda art—music, stage works, prints and posters, comics, and literature—from the point of view of its longue durée, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China.
Taking the aesthetic experience of the Cultural Revolution (1966–1976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience.
Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda art—music, stage works, prints and posters, comics, and literature—from the point of view of its longue durée, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China.
Taking the aesthetic experience of the Cultural Revolution (1966–1976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience.
Barbara Mittler is Professor of Chinese Studies at the University of Heidelberg, Germany.
| Erscheinungsdatum | 28.10.2016 |
|---|---|
| Reihe/Serie | Harvard East Asian Monographs |
| Zusatzinfo | 14 halftones, 113 line illustrations |
| Sprache | englisch |
| Maße | 178 x 254 mm |
| Gewicht | 930 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Geschichte ► Allgemeine Geschichte ► Zeitgeschichte | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Geisteswissenschaften ► Philosophie | |
| Sozialwissenschaften ► Politik / Verwaltung | |
| ISBN-13 | 9780674970533 / 9780674970533 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
eine Deutschlandreise im Jahr 1958
Buch | Hardcover (2024)
C.H.Beck (Verlag)
CHF 29,90
der Osten, der Westen, der Zorn und das Glück
Buch | Hardcover (2024)
S. Fischer (Verlag)
CHF 36,40
