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Sunset Park (eBook)

(Autor)

eBook Download: EPUB
2010 | 1. Auflage
320 Seiten
Faber & Faber (Verlag)
978-0-571-25884-0 (ISBN)

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Sunset Park -  PAUL AUSTER
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Auster's novel of love and forgiveness from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian) Sunset Park is set in the sprawling flatlands of Florida, where twenty-eight-year-old Miles is photographing the last lingering traces of families who have abandoned their houses due to debt or foreclosure. Miles is haunted by guilt for having inadvertently caused the death of his step-brother, a situation that caused him to flee his father and step-mother in New York seven years ago. What keeps him in Florida is his relationship with a teenage high-school girl, Pilar, but when her family threatens to expose their relationship, Miles decides to protect Pilar by going back to Brooklyn, where he settles in a squat to prepare himself to face the inevitable confrontation with his father - a confrontation he has been avoiding for years. Set against the backdrop of the devastating global recession, and pulsing with the energy of Auster's previous novel Invisible, Sunset Park is as mythic as it is contemporary, as in love with baseball as it is with literature. It is above all, a story about love and forgiveness - not only among men and women, but also between fathers and sons.

Paul Auster was the bestselling author of 4 3 2 1, Sunset Park, The Book of Illusions, Moon Palace and The New York Trilogy. He and Spencer Ostrander collaborated on Bloodbath Nation. In 2006, he was awarded the Prince of Asturias Prize for Literature. His other honours include the Prix Medicis Étranger for Leviathan, the Independent Spirit Award for the Screenplay of Smoke, the Los Angeles Times Book Prize for Burning Boy, and the Carlos Fuentes Prize for his body of work. His novel 4 3 2 1 was shortlisted for the 2017 Man Booker Prize. He was a member of the American Academy of Arts and Letters, and was a Commandeur de l'Ordre des Arts et des Lettres. His work was translated into more than forty languages. His final novel, Baumgartner, was published in November 2023. He died on 30 April 2024.
Auster's novel of love and forgiveness from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian)Sunset Park is set in the sprawling flatlands of Florida, where twenty-eight-year-old Miles is photographing the last lingering traces of families who have abandoned their houses due to debt or foreclosure. Miles is haunted by guilt for having inadvertently caused the death of his step-brother, a situation that caused him to flee his father and step-mother in New York seven years ago. What keeps him in Florida is his relationship with a teenage high-school girl, Pilar, but when her family threatens to expose their relationship, Miles decides to protect Pilar by going back to Brooklyn, where he settles in a squat to prepare himself to face the inevitable confrontation with his father - a confrontation he has been avoiding for years. Set against the backdrop of the devastating global recession, and pulsing with the energy of Auster's previous novel Invisible, Sunset Park is as mythic as it is contemporary, as in love with baseball as it is with literature. It is above all, a story about love and forgiveness - not only among men and women, but also between fathers and sons.

lt;p>Paul Auster is the best-selling author of Invisible, Moon Palace, Mr Vertigo, The Brooklyn Follies, The Book of Illusions and The New York Trilogy, among many other works. In 2006 he was awarded the Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters.

Among his other honours are the Independent Spirit Award for the screenplay of Smoke and the Prix Medicis Etranger for Leviathan. He has also been short-listed for both the International IMPAC Dublin Literary Award (The Book of Illusions) and the PEN/Faulkner Award for Fiction (The Music of Chance). His work has been translated into more than thirty languages.

He lives in Brooklyn, New York.

2

He has told her next to nothing about himself. Even on the first day in the park, when she heard him speak and understood that he came from somewhere else, he didn’t tell her that the somewhere else was New York City, the West Village in Manhattan to be precise, but vaguely answered that his life had begun up north. A bit later, when he started the SAT drills and introduced her to calculus, Pilar quickly learned that he was more than just an itinerant trash-out worker, that he was in fact a highly educated person with a nimble mind and a love of literature so vast and so informed that it made her English teachers at John F. Kennedy High look like impostors. Where had he gone to school? she asked him one day. He shrugged, not wanting to mention Stuyvesant and the three years he had spent at Brown. When she continued to press him, he looked down at the floor and muttered something about a small state college in New England. The following week, when he gave her a novel written by Renzo Michaelson, who happened to be his godfather, she noticed that it had been published by a company called Heller Books and asked him if there was any connection. No, he said, it’s just a coincidence, Heller turns out to be a fairly common name. This prompted her to ask the simple, altogether logical next question about which Heller family he happened to belong to. Who were his parents, and where did they live? They’re both gone, he replied. Gone as in dead and gone? I’m afraid so. Just like me, she said, her eyes suddenly filling with tears. Yes, he answered, just like you. Any brothers and sisters? No. I’m an only child.

Lying to her in this way has spared him the discomfort of having to talk about things he has been struggling to avoid for years. He doesn’t want her to know that six months after he was born his mother walked out on his father and divorced him to marry another man. He doesn’t want her to know that he has not seen or spoken to his father, Morris Heller, founder and publisher of Heller Books, since the summer after his third year at Brown. Least of all does he want her to know anything about his stepmother, Willa Parks, who married his father twenty months after the divorce, and nothing, nothing, nothing about his dead stepbrother, Bobby. These matters do not concern Pilar. They are his own private business, and until he finds an exit from the limbo that has encircled him for the past seven years, he will not share them with anyone.

Even now, he can’t be sure if he did it on purpose or not. There is no question that he pushed Bobby, that the two of them were arguing and he pushed him in anger, but he doesn’t know if the push came before or after he heard the oncoming car, which is to say, he doesn’t know if Bobby’s death was an accident or if he was secretly trying to kill him. The entire story of his life hinges on what happened that day in the Berkshires, and he still has no grasp of the truth, he still can’t be certain if he is guilty of a crime or not.

It was the summer of 1996, roughly one month after his father had given him The Great Gatsby and five other books for his sixteenth birthday. Bobby was eighteen and a half and had just graduated from high school, having squeaked through by the skin of his teeth in no small part thanks to the efforts of his stepbrother, who had written three final term papers for him at the cut-rate price of two dollars per page, seventy-six dollars in all. Their parents had rented a house outside Great Barrington for the month of August, and the two boys were on their way to spend the weekend with them. He was too young to drive, Bobby was the one with the license, and therefore it was Bobby’s responsibility to check the oil and fill the tank before they left—which, needless to say, he failed to do. About fifteen miles from the house, traveling along a twisty, hilly, backcountry road, the car ran out of gas. He might not have become so angry if Bobby had shown some remorse, if the dim-witted slacker had taken the trouble to apologize for his mistake, but true to form, Bobby found the situation hilarious, and his first response was to burst out laughing.

Cell phones existed back then, but they didn’t have one, which meant they had to get out of the car and walk. It was a hot, oppressively humid day, with squadrons of gnats and mosquitoes swarming around their heads, and he was in a foul temper, irritated by Bobby’s moronic nonchalance, by the heat and the bugs, by having to walk down that crummy, narrow little road, and before long he was lashing out at his stepbrother, calling him names, trying to provoke a fight. Bobby kept shrugging him off, however, refusing to respond to his insults. Don’t get worked up over nothing, he said, life is full of unexpected turns, maybe something interesting would happen to them because they were on this road, maybe, just maybe, they would discover two beautiful girls around the next bend, two completely naked beautiful girls who would take them into the woods and make love to them for sixteen straight hours. Under normal circumstances, he would laugh whenever Bobby started talking like that, fall willingly under the spell of his stepbrother’s inane prattle, but nothing was normal about what was happening just then, and he was in no mood to laugh. It was all so idiotic, he wanted to punch Bobby in the face.

Whenever he thinks about that day now, he imagines how differently things would have turned out if he had been walking on Bobby’s right instead of his left. The shove would have pushed him off the road rather than into the middle of it, and that would have been the end of the story, since there wouldn’t have been a story, the whole business would have amounted to less than nothing, a brief outburst that would have been forgotten in no time at all. But there they were, for no special reason arrayed in that particular left-right tandem, he on the inside, Bobby on the outside, walking along the shoulder of the road in the direction of the oncoming traffic, of which there was none, not a single car, truck, or motorcycle for ten minutes, and after he’d been haranguing Bobby nonstop for those ten minutes, his stepbrother’s jocular indifference to their plight slowly turned into peevishness, then belligerence, and a couple of miles after they started out, the two of them were shouting at each other at the top of their lungs.

How often had they fought in the past? Countless times, more times than he is able to remember, but there was nothing unusual about that, he feels, since brothers always fight, and if Bobby wasn’t his flesh-and-blood brother, he nevertheless had been there for the full span of his conscious life. He was two years old when his father married Bobby’s mother and the four of them started living together under the same roof, which necessarily makes it a time beyond recall, a period now wholly expunged from his mind, and therefore it would be legitimate to say that Bobby had always been his brother, even if that wasn’t strictly the case. There had been the customary squabbles and conflicts, then, and because he was the younger by two and a half years, his body had received the bulk of the punishment. A dim recollection of his father stepping in to pull a screaming Bobby off him one rainy day somewhere in the country, of his stepmother scolding Bobby for playing too rough, of kicking Bobby in the shins when he yanked a toy out of his hands. But it hadn’t been all war and combat, there had been lulls and truces and good times as well, and beginning when he was seven or eight, meaning when Bobby was nine or ten or eleven, he can remember actively liking his brother, perhaps even loving him, and that he was liked and perhaps even loved in return. But they were never close, not close in the way some brothers are, even fighting, antagonistic brothers, and no doubt that had something to do with the fact that they belonged to an artificial family, a constructed family, and each boy’s deepest loyalty was reserved for his own parent. It wasn’t that Willa had been a bad mother to him or that his father had been a bad father to Bobby. Quite the reverse. The two adults were steadfast allies, their marriage was solid and remarkably free of trouble, and each one bent over backward to give the other’s kid every benefit of the doubt. But still, there were invisible fault lines, microscopic fissures to remind them that they were a patched-together entity, something not completely whole. The matter of Bobby’s name, for example. Willa was Willa Parks, but her first husband, who had died of cancer at thirty-six, was Nordstrom, and Bobby was Nordstrom as well, and because he had been Nordstrom for the first four and a half years of his life, Willa had been reluctant to change it to Heller. She felt Bobby might be confused, but more to the point, she couldn’t bring herself to wipe out the last traces of her first husband, who had loved her and was dead through no fault of his own, and to deprive his son of his name would have made her feel that he was being killed for a second time. The past, then, was part of the present, and the ghost of Karl Nordstrom was the fifth member of the household, an absent spirit who had left his mark on Bobby—who was both a brother and not a brother, both a son and not a son, both a friend and a foe.

They lived under the same roof, but apart from the fact that their parents were husband and wife, they had little in common. By temperament and outlook, by inclination and behavior, by all the measures used to gauge who and what a person is, they were different, deeply and unalterably different. As the years went by, each drifted off into his own separate sphere, and by the time they were...

Erscheint lt. Verlag 4.11.2010
Verlagsort London
Sprache englisch
Themenwelt Literatur Klassiker / Moderne Klassiker
Literatur Romane / Erzählungen
Sachbuch/Ratgeber Sport Ballsport
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Wirtschaft Volkswirtschaftslehre Finanzwissenschaft
Schlagworte Baseball • everyman philip roth • invention of solitude • Recession • sunset park • the fortress of solitude • the new york trilogy
ISBN-10 0-571-25884-0 / 0571258840
ISBN-13 978-0-571-25884-0 / 9780571258840
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