Disposable Passions
Bloomsbury Academic (Verlag)
978-1-5013-0757-7 (ISBN)
David Church is a film historian specializing in genre studies, taste cultures, and histories of film exhibition and distribution. He is a Lecturer in Comparative Cultural Studies at Northern Arizona University, USA, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (2015).
Introduction
Chapter 1: Eroticizing the Degraded Past: Stag Films, Cinephilia, and the Marketing of Necro-Erotic Desire
Chapter 2: Ephemerality Between Fantasy and Reality: Sexploitation, Fan Magazines, and the Adults-Only Film and Publishing Industries
Chapter 3: 'Whatever Happened to Gigi Darlene?: Object Lessons for a Disappearing and Reappearing Corpus
Chapter 4: Preservational Ethics, Cultural Distinctions, and Vintage Pornoisseurship in the Internet Age
Conclusion
Bibliography
Index
| Reihe/Serie | Global Exploitation Cinemas |
|---|---|
| Zusatzinfo | 20 bw illus |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 148 x 226 mm |
| Gewicht | 880 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sozialwissenschaften ► Kommunikation / Medien ► Journalistik | |
| Sozialwissenschaften ► Soziologie | |
| Wirtschaft | |
| ISBN-10 | 1-5013-0757-6 / 1501307576 |
| ISBN-13 | 978-1-5013-0757-7 / 9781501307577 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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