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Modernism and Magic - Leigh Wilson

Modernism and Magic

Experiments with Spiritualism, Theosophy and the Occult

(Autor)

Buch | Softcover
224 Seiten
2015
Edinburgh University Press (Verlag)
978-0-7486-2770-7 (ISBN)
CHF 52,35 inkl. MwSt
Wilson explores the aesthetic and political implications of the relationship between magic and mimesis in the work of  writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.
Explores the interplay between modernist experiment and occult discourses in the early twentieth century
While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful.
Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.

Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).

Acknowledgements; Introduction; Chapter 1: ‘But the facts of life persist’: Magic, Experiment and the Problem of Representing the World Otherwise; Chapter 2: ‘And what has all this to do with experimental writing?’: Words and Ghosts; Chapter 3: A ‘subtle metamorphosis’: Sound, Mimesis and Transformation; Chapter 4: ‘Here is where the magic is’: Telepathy and Experiment in Film; Chapter 5: ‘Disney against the metaphysicals’: Eisenstein, Pound, Ectoplasm and the Politics of Animation; Bibliography; Index.

Reihe/Serie Edinburgh Critical Studies in Modernist Culture
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Gewicht 332 g
Themenwelt Sachbuch/Ratgeber Gesundheit / Leben / Psychologie Esoterik / Spiritualität
Geisteswissenschaften Religion / Theologie Weitere Religionen
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Weitere Fachgebiete Anthroposophie
ISBN-10 0-7486-2770-7 / 0748627707
ISBN-13 978-0-7486-2770-7 / 9780748627707
Zustand Neuware
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