Eye of the Sixties
Richard Bellamy and the Transformation of Modern Art
Seiten
2017
Farrar, Straus & Giroux Inc (Verlag)
978-0-374-53699-2 (ISBN)
Farrar, Straus & Giroux Inc (Verlag)
978-0-374-53699-2 (ISBN)
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A man with a preternatural ability to find emerging artists, Richard Bellamy was one of the first advocates of pop art, minimalism, and conceptual art. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, this witty, poetry-loving art aficionado became a legend of the avant-garde.
A man with a preternatural ability to find emerging artists, Richard Bellamy was one of the first advocates of pop art, minimalism, and conceptual art. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, this witty, poetry-loving art aficionado became a legend of the avant-garde, showing the work of artists such as Mark di Suvero, Claes Oldenburg, James Rosenquist, Donald Judd, and others. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York and made a life for himself between the Beat orbits of Provincetown and white-glove events such as the Guggenheim's opening gala. He partied with Norman Mailer, was friends with Diane Arbus and Yoko Ono, and frequently hosted or performed in Allan Kaprow's happenings. Always more concerned with art than with making a profit, Bellamy withdrew when the market mushroomed around him, letting his contemporaries and friends, such as Leo Castelli and Sidney Janis, capitalize on the stars he first discovered. Bellamy's life story is a fascinating window into the transformation of art in the late twentieth century.
A man with a preternatural ability to find emerging artists, Richard Bellamy was one of the first advocates of pop art, minimalism, and conceptual art. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, this witty, poetry-loving art aficionado became a legend of the avant-garde, showing the work of artists such as Mark di Suvero, Claes Oldenburg, James Rosenquist, Donald Judd, and others. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York and made a life for himself between the Beat orbits of Provincetown and white-glove events such as the Guggenheim's opening gala. He partied with Norman Mailer, was friends with Diane Arbus and Yoko Ono, and frequently hosted or performed in Allan Kaprow's happenings. Always more concerned with art than with making a profit, Bellamy withdrew when the market mushroomed around him, letting his contemporaries and friends, such as Leo Castelli and Sidney Janis, capitalize on the stars he first discovered. Bellamy's life story is a fascinating window into the transformation of art in the late twentieth century.
Judith E. Stein is a Philadelphia-based writer and curator who specialises in postwar American art. A former arts reviewer for NPR's Fresh Air and Morning Edition, her writing has appeared in Art in America, The New York Times Book Review, and numerous museum publications. She is the recipient of a Pew Fellowship in the Arts in literary nonfiction and a Creative Capital/Andy Warhol Foundation Arts Writers Grant. A graduate of Barnard College, she holds a doctorate in art history from the University of Pennsylvania.
| Erscheinungsdatum | 09.08.2017 |
|---|---|
| Zusatzinfo | 55 Black-and-White Illustrations in Text / Appendix, Notes, Index |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 155 x 229 mm |
| Gewicht | 522 g |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Technik ► Architektur | |
| ISBN-10 | 0-374-53699-6 / 0374536996 |
| ISBN-13 | 978-0-374-53699-2 / 9780374536992 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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