Hitchcock & the Anxiety of Authorship (eBook)
XI, 282 Seiten
Palgrave Macmillan US (Verlag)
978-1-137-30970-9 (ISBN)
Leslie H. Abramson, an adjunct professor at the Loyola University Chicago School of Law, USA, is a film scholar teaching cinema and law. Her essays have been published in Hitchcock and Adaptation (2014), American Cinema of the 1960s (2008), In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity (2011), New Constellations: Movie Stars of the 1960s (2012), and various journals. She holds a PhD from the University of Chicago.
Hitchcock and theAnxiety of Authorship examines issues ofcinema authorship engaged by and dynamized within the director's films. Aunique study of self-reflexivity in Hitchcock's work from his earliest Englishsilents to his final Hollywood features, this book considers how the director'sreleases constitute ever-shifting meditations on the conditions and strugglesof creative agency in cinema. Abramson explores how, located in literal andemblematic sites of dramatic production, exhibition, and reception, andpopulated by figures of directors, actors, and audiences, Hitchcock's filmsexhibit a complicated, often disturbing vision of authorship - one thatconsistently problematizes rather than exemplifies the director's longstandingauteurist image. Viewing Hitchcock in a striking new light, Abramson analyzesthese allegories of vexed agency in the context of his concepts of andcommentary on the troubled association between cinema artistry and authorship,as well as the changing cultural, industrial, theoretical, and historicalmilieus in which his features were produced. Accordingly, the book illuminateshow Hitchcock and his cinema register the constant dynamics that constitutefilm authorship.
Leslie H. Abramson, an adjunct professor at the Loyola University Chicago School of Law, USA, is a film scholar teaching cinema and law. Her essays have been published in Hitchcock and Adaptation (2014), American Cinema of the 1960s (2008), In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity (2011), New Constellations: Movie Stars of the 1960s (2012), and various journals. She holds a PhD from the University of Chicago.
Introduction:
Self-Reflexivity in Hitchcock's Cinema & Struggles of AuthorshipPART I:
COMPROMISING POSITIONS: THE DIRECTOR1. Introduction2. Murder!3. Sabotage4.
Notorious5. Vertigo6. PsychoPART II:
DRAMATIC ARTFULNESS: THE ACTOR 7. Introduction8. The Lodger9. The 39 Steps10.
Spellbound11. MarniePART III: DISTURBING SIGHTS: THE AUDIENCE 12.
Introduction13. The Ring14. The Man Who Knew Too Much15. Strangers
on a Train16. Rear Window17. The Birds Appendix: In Brief - Hitchcock's
Cameos
| Erscheint lt. Verlag | 8.4.2016 |
|---|---|
| Zusatzinfo | XI, 282 p. |
| Verlagsort | New York |
| Sprache | englisch |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Technik | |
| Schlagworte | Alfred Hitchcock • auteurism • British Cinema • Cinema • cinema authorship • cinema studies • Director • Film • Hollywood • Hollywood Cinema • Murder! • notorious • Psycho • Rear Window • Sabotage • Self-Reflexivity • spellbound • Strangers on a train • The 39 Steps • The Lodger • The Man who knew too much • The Ring • Vertigo |
| ISBN-10 | 1-137-30970-9 / 1137309709 |
| ISBN-13 | 978-1-137-30970-9 / 9781137309709 |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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