Studies in Medievalism XXXV
D.S. Brewer (Verlag)
978-1-84384-782-3 (ISBN)
- Noch nicht erschienen (ca. April 2026)
- Versandkostenfrei
- Auch auf Rechnung
- Artikel merken
Two vital, increasingly intertwined areas of interest are addressed by this collection: politics and theory. The volume begins with a general discussion of how the Middle Ages have been particularly mediated by subsequent artifacts. The essays then address: the motivations and machinations behind Joan of Arc AI in Michael Anderson's 1989 film Time Gate; medievalist historiography in Salman Rushdie's 1983 novel Shame; medievalist identity in Rome's contemporary far-right movement; Viking imagery in and around the Make America Great Again campaign; Robin Hood avatars in mid-twentieth-century B-westerns; medievalism by the Young German Order during the 1920s and 30s; the visibility of race in David Lowery's 2021 film The Green Knight; Orientalism and race in the 1974 game Dungeons & Dragons; manifestations of Chaucer's Pardoner in Kim Zarins' 2016 novel Sometimes We Tell the Truth; gender performance and sexuality in Maria Dahvana Headley's 2020 translation of Beowulf; and the term "Anglo-Saxon," particularly relative to the Ansax-1 and ANSAXNET online communities.
'"Donald the Orange": Vikings in and around the Maga Movement' is made Open Access under the Creative Commons licence CC BY-NC-ND.
List of Illustrations
Preface
Karl Fugelso
Medievalism, Reception Theory, and Media Archaeology: What is the Object of Reception?
Daniel T. Kline
Joan of Arc AI in Time Gate (1989): A Medieval Simulacrum in the Twenty-Second Century
Scott Manning
Navigating the Phantasmic: Medievalism and Mythic Historiography in Salman Rushdie's Shame
Sameera Abbas
Presente: Medieval Symbols and Mythic Identity in Rome's Far-Right Imaginary
Martina Marzullo
The Christian-Democratic Medievalism of the Young German Order
Patrick James Eickman
"Donald the Orange": Vikings in and around the Maga Movement
Tom Birkett
"Back in the Saddle Again" in Sherwood Forest: Robin Hood Avatars in Hollywood B-Westerns from the 1930s, 40s, and 50s
Kevin J. Harty
"Make Merry, and Tell Me What You See": Visibility of Race inColonialist Fantasy and David Lowery's The Green Knight (2021)
Sabina Rahman
From Chainmail to Tasha's Cauldron: Medievalism, Orientalism, and Race in Dungeon and Dragons
Helen Young and Mat Hardy
Undoing Chaucer's Pardoner in Kim Zarins' Sometimes We Tell the Truth
Mohamed Karim Dhouib
"War-wedded to a woe-bringer": Gender Performance and Queer Sexuality in Maria Dahvana Headley's Translation of Beowulf
Timothy S. Miller and Teddy Valentine
Ansax-l, ANSAXNET, and Anglo-Saxon: The Good, the Bad, the Weird, and the Wonderful
M. J. Toswell
Contributors
| Erscheint lt. Verlag | 7.4.2026 |
|---|---|
| Reihe/Serie | Studies in Medievalism |
| Zusatzinfo | 13 b/w illus. |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-84384-782-5 / 1843847825 |
| ISBN-13 | 978-1-84384-782-3 / 9781843847823 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
