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The Postmodern Slasher Film - Steve Jones

The Postmodern Slasher Film

(Autor)

Buch | Softcover
272 Seiten
2026
Edinburgh University Press (Verlag)
978-1-3995-3710-0 (ISBN)
CHF 44,90 inkl. MwSt
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Debunks the prevailing idea that the postmodern slasher film is distinguished by the employment of intertextuality, metafictional self-reflexivity, pastiche, and deconstruction.
Scream reputedly transformed the slasher subgenre in 1996, heralding a new subgeneric form: the postmodern slasher. Despite being a distinctive, influential phase in the subgenre’s development, it has been widely assumed that postmodern slasher films are distinguished from their predecessors because they employ intertextuality, metafictional self-reflexivity, pastiche and deconstruction.

The Postmodern Slasher Film challenges those assumptions by demonstrating that those same traits have been present in the slasher subgenre since its 1980s boom-period. This book instead argues that postmodern slasher films are more pertinently distinguished by their tone, which is characterised by self-consciousness, duplicity, cynicism and fatalism.

Steve Jones is Assistant Professor in Media and Film at Northumbria University, where he leads the Horror Studies Research Group. His research principally focuses on sex, violence, ethics and selfhood within horror and pornography. He is the author of The Metamodern Slasher Film (2024), Torture Porn: Popular Horror after Saw (2013), and his work has been published in Feminist Media Studies, New Review of Film and Television Studies, Sexualities, and Film-Philosophy. He is a founding member of the BAFTSS Special Interest Groups for Horror, Film-Philosophy and Screening Sex. He is also on the editorial board of Porn Studies journal, and the 21st Century Horror and Hidden Horror Histories book series. For more information, please visit www.drstevejones.co.uk.

List of Figures

Acknowledgements

Introduction

1. The ‘Postmodern’ Slasher Film

2. Intertextuality and Metafiction in the Postmodern Slasher Film

3. Tracing Intertextuality and Metafiction Back to the Boom-Period

4. Parody and the Slasher Subgenre

5. Deconstruction, Ontological Doubt and Authorial Control

6. Irony, Duplicity and Superiority

7. Epistemic Doubt in the Postmodern Slasher Whodunit

8. Callousness, Insularity, Presentism and Fatalism

Conclusion: Legacies of the Postmodern Slasher Film

References

Filmography

Index

Erscheint lt. Verlag 31.7.2026
Zusatzinfo 19 black and white illustrations
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-3995-3710-5 / 1399537105
ISBN-13 978-1-3995-3710-0 / 9781399537100
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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