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The Good Shepherd Rockery from Portuguese India, 1570s to 1650s - Francesco Gusella

The Good Shepherd Rockery from Portuguese India, 1570s to 1650s

Emulation and Dissimulation in a Case of Missionary Art
Buch | Hardcover
280 Seiten
2026
Pallas Publications (Verlag)
978-90-485-6832-1 (ISBN)
CHF 269,95 inkl. MwSt
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This book explores the genesis of the ivory carvings of the Good Shepherd Rockery with a focus on the practices of emulation and dissimulation performed by patrons, artists, and local agents – an equivocal game of mirrors that ultimately charged the artworks with multiple interpretive layers and allusive meanings.
The composite ivory carvings of the Good Shepherd Rockery visually capture the intricate network of connected histories from the Portuguese colonial empire in the Indian Ocean. The sophisticated interplay between missionary patrons and local agents resulted in the creation of these unique works, which are without precursors or replicas in the artistic culture of the early modern period. Based on a transdisciplinary approach to material and documentary sources, this book explores the genesis of this original iconography with a focus on the practices of emulation and dissimulation performed by patrons, artists, and local agents – an equivocal game of mirrors that ultimately charged the artworks with multiple interpretive layers and allusive meanings.

Dr. Francesco Gusella is an historian of South Asian art with a focus on Portuguese India. He conducted research in Portugal, Germany, Italy, and India on various colonial and missionary works including carvings, textiles, metalworks, architecture, and paintings.

1. Introduction 2. Scholarship and curatorship between national identity and colonial otherness 3. A descriptive overview on technical-stylistic and iconographic features 4. At the “Origin of the Pure Heart”: Graphic models and local prototypes 5. Before the rockery: Rock crystal prototypes from Sri Lanka 6. Rhizomatic perspectives on arborescent motifs 7. In a grove of crosses: Translating Indo-Syriac symbology into the Latin figurative canon 8. Interstices and interreferences: Further exchanges from the Indic artistic landscape

Erscheint lt. Verlag 30.4.2026
Reihe/Serie Connected Histories in the Early Modern World
Zusatzinfo 30 Halftones, black and white; 30 Illustrations, black and white
Verlagsort Amsterdam
Sprache englisch
Maße 156 x 234 mm
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Sozialwissenschaften Soziologie Spezielle Soziologien
ISBN-10 90-485-6832-3 / 9048568323
ISBN-13 978-90-485-6832-1 / 9789048568321
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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