Cinema on Sundays
Legalising British Cinema Exhibition
Seiten
2026
Edinburgh University Press (Verlag)
978-1-3995-3436-9 (ISBN)
Edinburgh University Press (Verlag)
978-1-3995-3436-9 (ISBN)
- Noch nicht erschienen (ca. April 2026)
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Recounts the emergence of legal Sunday cinema culture in Great Britain.
Often referred to as the first day of the week, Sunday was the last frontier for cinemagoing access in Britain and represented complex perspectives on the cultural turbulence of the period. This book examines the efforts of the countless people who coalesced around the Sunday cinema movement. These cinematic communities began to see the social necessity of film and challenged the institution of the British Sunday to make room for this new cultural practice.
Cinema on Sundays recounts the emergence of legal Sunday cinema culture in Britain between the 1920s to the 1950s. By utilising newly uncovered sources, this book uncovers the larger social, political and legal history into a topic often seen as a small historical curiosity. Sunday cinemagoers forever altered the one day a week most people were free from work.
Often referred to as the first day of the week, Sunday was the last frontier for cinemagoing access in Britain and represented complex perspectives on the cultural turbulence of the period. This book examines the efforts of the countless people who coalesced around the Sunday cinema movement. These cinematic communities began to see the social necessity of film and challenged the institution of the British Sunday to make room for this new cultural practice.
Cinema on Sundays recounts the emergence of legal Sunday cinema culture in Britain between the 1920s to the 1950s. By utilising newly uncovered sources, this book uncovers the larger social, political and legal history into a topic often seen as a small historical curiosity. Sunday cinemagoers forever altered the one day a week most people were free from work.
Peter Niehoff, PhD, is an Adjunct Professor of film and media studies at the University of Cincinnati.
Abbreviations
Introduction: ‘Church Becomes Cinema’
1. Cinematic communities and illegal Sunday cinemagoing.
2. The English Sunday and opposition.
3. The Film Society.
4. The ritualising effects of the 1932 Sunday Entertainments Act
5. The war began on Sunday.
6. Postwar permanence.
Epilogue: prelude to a screened society.
Appendix 1: 1932 Sunday Entertainments Act Approvals.
Appendix 2: Emergency Order 42B Approvals.
Appendix 3: Postwar 42B Approvals.
Acknowledgements.
Figures.
Bibliography.
Notes
| Erscheint lt. Verlag | 30.4.2026 |
|---|---|
| Zusatzinfo | 9 black and white illustrations, three tables |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-3995-3436-X / 139953436X |
| ISBN-13 | 978-1-3995-3436-9 / 9781399534369 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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