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Klossowski Pasolini Gurrola - Michael Newell Witte

Klossowski Pasolini Gurrola

A Genealogy of Late Surrealist Film Theory
Buch | Hardcover
192 Seiten
2026
Edinburgh University Press (Verlag)
978-1-3995-5874-7 (ISBN)
CHF 142,00 inkl. MwSt
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Investigates the aesthetic philosophy of the dissident Surrealist Pierre Klossowski, shedding light on his work’s profound impact on avant-garde and neo-avant-garde aesthetics, particularly in film theory.
Beginning with an exploration of Klossowski’s unconventional approach to literary and philosophical production, Michael Newell Witte traces the international impact that Klossowski and his cohorts in the Paris Collège de Sociologie had on the work of some of the most radical artists, filmmakers and theorists of the second half of the 20th century, with a spotlight on the critical reception of surrealist concepts within the work of the Italian film director Pier Paolo Pasolini and the Mexican filmmaker, artist and theatre practitioner, Juan José Gurrola.

By engaging with concepts like acinema, the tableau vivant, simulation, anti-economy and the theory of the instinctual drives, this book offers a fresh perspective on the evolution of avant-garde aesthetics, challenging traditional narratives and providing new insights into the complex intellectual history that underlies the fields of avant-garde film and film theory.

Michael Newell Witte is Assistant Professor of Art History at the University of San Diego. His research explores neo-avant-garde art and theory, dissident and ethnographic surrealism, and global contemporary art and film. He is the editor of ReFocus: The Films of Alejandro Jodorowsky (2023) and co-author of the exhibition catalogue Todo está perdido: Juan José Gurrola (2023).

List of Figures

Acknowledgments

Introduction: Why Klossowski?

Part I. TABLEAUX VIVANTS: KLOSSOWSKI WITH LYOTARD

1. Acinema and the Tableau Vivant

2. Negation and Mise-en-scène

Part II. EXCESSIVE CINEMA: PASOLINI AND KLOSSOWSKI’S SADEAN AESTHETICS

3. The Free Indirect Subjective

4. Homme Entier / Integral Atheism

Part III. A SACRIFICIAL ECONOMY OF THE IMAGE: KLOSSOWSKI AND GURROLA

5. The Anti-Kinetic Film

6. A Fraudulent Exchange

7. Klossowski’s System

Part IV. CINEMAS OF CRUELTY / THE GULLIVERIAN POINT-OF-VIEW

8. Powers of the False and the Sovereign Artist

9. Tableaux Vivants: Balthus and Pierre Klossowski

10. Epilogue: The Gulliverian Point-of-View

Bibliography

Index

Erscheint lt. Verlag 30.4.2026
Zusatzinfo 16 B&W
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-3995-5874-9 / 1399558749
ISBN-13 978-1-3995-5874-7 / 9781399558747
Zustand Neuware
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