The Transitional Human Being
Literary, Journalistic, and Cinematographic Representations of the Twentieth- and the Twenty-First-Centuries Italy
Seiten
2025
Purdue Scholarly Publishing Services (Verlag)
978-1-62671-153-2 (ISBN)
Purdue Scholarly Publishing Services (Verlag)
978-1-62671-153-2 (ISBN)
This book analyzes the crisis of the idea of human being based on timeless notions, in the Euroamerican context, as seen primarily through literature and cinema. It focuses on Italy, which has been and remains a crossroads for diverse cultural and political currents—open to Mediterranean cultural influences while remaining within a typically Western cultural context. The "new man," defined by Corrado Alvaro during his trip in Russia in 1934 as "transitional," implies a human being with a fundamental need for change. Instead of the "new man," Italo Calvino in the 1960 preface to his I nostri antenati wrote about the incomplete human being who is always changing, always being completed without ever reaching completion, and thus always in transition.
In these pages, the author examines the twentieth- and twenty-first-centuries Italian metamorphosis of the concept of the human being, mirroring closely at every historical turn the contextual demands of the country. From Brignone's film Sotto la croce del sud (1938), and its faulted "biracial" protagonists to the Netflix series Summertime (2020), characterized by the intentional lack of problematization of a multicultural society; from the fascist manhood represented by Roberto Rossellini's aviator "modern knight of our time"(1942), to Fellini's Marcello who chooses to not choose (1959); from Marinetti's idea of the woman who belonged "to the race's development" (1919) to Mazzacurati's Mara, who wishes "to live thirteen different lives" (2007); from Primo Levi's non-humans and stripped men, to not-belonging, to Arendt's stateless persons, to migrants crossing the desert and the Mediterranean sea in Segre's and Rosi's movies (2008, 2016): the journey chronicled in these pages is a surprising one, as today's Italy is very different than that imagined toward the second half of the nineteenth century.
In these pages, the author examines the twentieth- and twenty-first-centuries Italian metamorphosis of the concept of the human being, mirroring closely at every historical turn the contextual demands of the country. From Brignone's film Sotto la croce del sud (1938), and its faulted "biracial" protagonists to the Netflix series Summertime (2020), characterized by the intentional lack of problematization of a multicultural society; from the fascist manhood represented by Roberto Rossellini's aviator "modern knight of our time"(1942), to Fellini's Marcello who chooses to not choose (1959); from Marinetti's idea of the woman who belonged "to the race's development" (1919) to Mazzacurati's Mara, who wishes "to live thirteen different lives" (2007); from Primo Levi's non-humans and stripped men, to not-belonging, to Arendt's stateless persons, to migrants crossing the desert and the Mediterranean sea in Segre's and Rosi's movies (2008, 2016): the journey chronicled in these pages is a surprising one, as today's Italy is very different than that imagined toward the second half of the nineteenth century.
Ron Kubati holds two PhDs: one in modern and contemporary philosophy from the Università degli Studi di Bari, and one in Italian studies from the University of Chicago. He is a lecturer at Pace University, New York campus, and his articles have been published in edited volumes and peer-reviewed journals. He has also published a collection of poems in Albanian (1992), as well as four successful novels in Italian: Va e non torna (2000, Leaving with No Return), M (2002), Il buio del mare (2007, The Darkness of the Sea), and La vita dell'eroe (2016, The Hero's Life).
| Erscheinungsdatum | 13.11.2025 |
|---|---|
| Reihe/Serie | Purdue Studies in Romance Literatures |
| Verlagsort | IN |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-62671-153-4 / 1626711534 |
| ISBN-13 | 978-1-62671-153-2 / 9781626711532 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Poetik eines sozialen Urteils
Buch | Hardcover (2023)
De Gruyter (Verlag)
CHF 83,90
