The Wounds of War and Conflict in Contemporary Arab Women's Writings from North Africa and the Middle East
Oxford University Press Inc (Verlag)
978-0-19-781519-9 (ISBN)
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With its focus on North Africa and the Middle East, The Wounds of War establishes the legacy of Arab women's anti-war resistance in the MENA region's literary and cultural arts. It discusses how women survive war through gendered forms of resistance that highlight their strength, courage, and agency. This highly sensorial language is scarred by war wounds and poetic lament to reveal its expressivity in compelling texts that highlight the liminal spaces between loss and recovery, memory and amnesia, submission and resistance, and survival and death in delimiting war zones. Literature provides testimony and denunciation in the face of war's wanton destructiveness by unveiling the bloodied synergies between biopower, war wounds, gender, and Arab women's anti-war feminist resistance in prose, poetry, theatre, memoirs, and testimonial writing. Narrative enjambments underscore the “unrepresentable” dimensions of creativity that can articulate the horrors of war and conflict in Algeria, Lebanon, Syria, Iraq, Yemen, and Palestine.
Brinda J. Mehta is the Germaine Thompson Professor of French and Francophone Studies at Mills College at Northeastern University. She is the award-winning author of five books on postcolonial women writers and creative resistance from the Caribbean, North Africa and the Middle East, numerous articles on postcolonial feminist literature, and three co-edited journal issues. Her areas of specialization include postcolonial literature, transnational feminist thought, cultural studies, diaspora and migration studies.
Acknowledgments
Introduction: The Wounds of War and Conflict in Contemporary Arab Women's Writings
1: Staging Protest in Fatima Bourega-Gallaire's La beauté de l'icône (The Icon's Beauty) and Myriam Ben's Leïla
2: Fragile Bodies and Resilient Minds: The War Traumas of Children in Racha Mounaged's La Blessure (The Wound) and Samar Yazbek's Al-Masha'a (Planet of Clay)
3: The Feminist War Against Cancer in Evelyne Accad's The Wounded Breast, Betool Khedairi's Gayab (Absent), and Abir Hamdar's Wasaful al-sabr ("I Am Waiting for You")
4: Contesting Illegality in Suad Amiry's "Border Diary" Nothing to Lose but Your Life: An 18-Hour Journey with Murad
5: Redefining the War ArchiveTied Circles, Birdsong, and War Fragments in Dunya Mikhail's The War Works Hard and In Her Feminine Sign
6: The Painful Road to Freedom in Maram al-Masri's Elle va nue la liberté (Freedom's Naked March)
7: Testimonials of Pain in Yemen's Forgotten WarBushra Al-Maqtari's What Have You Left Behind?
Afterword: Final Reflections on War
| Erscheinungsdatum | 17.10.2025 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 164 x 242 mm |
| Gewicht | 553 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 0-19-781519-7 / 0197815197 |
| ISBN-13 | 978-0-19-781519-9 / 9780197815199 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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