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Taking Fiction Film Seriously

A Philosophical Approach to Cinema Studies

(Autor)

Buch | Softcover
272 Seiten
2025
Bloomsbury Academic (Verlag)
9781350505711 (ISBN)
CHF 47,90 inkl. MwSt
An interrogation of fiction as one of two key categorisations of film, exploring its influence upon audience experience and its broader real-life implications.
Fiction film has been and remains the privileged site of film studies, with film history regularly being viewed as the rise of the narrative fiction film. Taking Fiction Film Seriously argues that despite this privileged position, the notion of fiction as it relates to cinema, has yet to be properly interrogated.

Mario Slugan explores the significant misunderstandings concerning the categorisation of film, audience experience, and the real-life effects of fiction. He contends with the contradictory assumption that fiction films have tangible effects on audiences' beliefs and behaviours, while also intuitively being 'not true' or not to be believed in.

Slugan analyses the notion of 'fiction' from a theoretical and historical perspective, considering how it manifests in a broad range of films from the past 110 years, including The Arrival of a Train (Lumière brothers, 1895-1897), The Blair Witch Project (Myrick and Sánchez, 1999), and Waltz with Bashir (Folman, 2008). He supports his close readings with findings from philosophy, psychology, and literary studies, and in doing so seeks to challenge the current state of film studies.

Mario Slugan is Senior Lecturer in Film Studies at Queen Mary, University of London, UK. He is author of Montage across the Arts (2017), Noël Caroll and Film (Bloomsbury Academic, 2019), and Fiction and Imagination in Early Cinema (Bloomsbury Academic, 2019). He is co-editor (with Daniël Biltereyst) of New Perspectives on Early Cinema History (Bloomsbury Academic, 2022).

List of figures
Acknowledgements
Introduction
PART ONE: Theories of Fiction
1. Fiction as challenge to cinema studies
2. Philosophy of fiction
PART TWO: Fiction as Primarily Mandated Imagination
3. The temporally unstable primacy of mandate
4. Mandated Imagination in Fiction Film
PART THREE: Imagination and the effects of fiction
5. Imaginative resistance and the richness of imagining
6. Imagination and emotional engagement with characters
7. Fiction, belief and knowledge acquisition
Conclusion
Notes
Bibliography
Index

Erscheinungsdatum
Zusatzinfo 30 bw illus
Verlagsort London
Sprache englisch
Maße 156 x 232 mm
Gewicht 460 g
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Philosophie Erkenntnistheorie / Wissenschaftstheorie
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-13 9781350505711 / 9781350505711
Zustand Neuware
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