White Screens, Black Dance
Race and Masculinity in the United States at Midcentury
Seiten
2025
Oxford University Press Inc (Verlag)
978-0-19-769908-9 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-769908-9 (ISBN)
White Screens, Black Dance analyzes the film and television dances of male screen stars in the United States during the mid-twentieth century. Unpacking the complex physical and visual codes performed by four case studies--the Nicholas Brothers, Gene Kelly, Elvis Presley, and Sammy Davis, Jr.--it argues that each employs Black (Africanist) dance and movement vocabularies in distinct ways, all using them to construct shifting models of masculinity over the course of their careers. In so doing, this book theorizes a practice of appropriation called blackbodying, whereby non-Black performers use Black dance and movement styles without using blackface makeup. Applying methodologies from both film and media studies and dance studies, it offers an interdisciplinary reading of these men's star texts and their screen-dances throughout the midcentury period.
To best understand the nuances of their performances, White Screens, Black Dance considers not only the ever-changing, often ambiguous and contradictory signifiers of racial and gender identity from the 1940s-1960s, but also the ways that class, and the differing industrial and visual environments of Hollywood film vs. broadcast television, further shape how all five men danced their masculinities for the camera(s). It ultimately reveals how these resultant midcentury masculinities have continued to influence danced masculinity ever since.
To best understand the nuances of their performances, White Screens, Black Dance considers not only the ever-changing, often ambiguous and contradictory signifiers of racial and gender identity from the 1940s-1960s, but also the ways that class, and the differing industrial and visual environments of Hollywood film vs. broadcast television, further shape how all five men danced their masculinities for the camera(s). It ultimately reveals how these resultant midcentury masculinities have continued to influence danced masculinity ever since.
Pamela Krayenbuhl is an Assistant Professor of Film and Media Studies at the University of Washington Tacoma.
Introduction
Chapter 1: The Nicholas Brothers: Classy and Dignified
Chapter 2: Gene Kelly: Brash and Athletic
Chapter 3: Elvis Presley: Virile and Phallic
Chapter 4: Sammy Davis, Jr.: Modish and Chameleonic
Epilogue: Masculinities Danced on Post-1970 Screens
| Erscheinungsdatum | 19.07.2025 |
|---|---|
| Zusatzinfo | 52 illustrations |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 156 x 232 mm |
| Gewicht | 395 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-19-769908-1 / 0197699081 |
| ISBN-13 | 978-0-19-769908-9 / 9780197699089 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Softcover (2025)
Oxford University Press Inc (Verlag)
CHF 52,35
