Downtime

The Twentieth Century in Slow Motion

Mark Goble (Autor)

Buch | Hardcover

408 Seiten

2025
Columbia University Press (Verlag)
978-0-231-21915-0 (ISBN)

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Slow motion has become perhaps the least special effect in film and media, a stylistic technique for showing violence, dream sequences, and flashbacks or other experiences outside ordinary time. We see so much slow motion on our screens today that we can look past its history and forget how rare it was before the 1960s, when films such as The Wild Bunch, Bonnie and Clyde, and 2001: A Space Odyssey helped it explode in popularity at a moment of cultural change and social upheaval. This ambitious book tells the story of slow motion, tracing a broader fascination with the uneven speeds of modern life and our ability to comprehend them.

Downtime explores the history and aesthetics of slow motion, from its origins in early film to its prominence today. Mark Goble argues that the effect’s sudden visibility after 1968 registers experience of modernity as a period of perpetual acceleration that somehow makes even the smallest intervals of time feel endless. Ranging across literature, art, and cinema—including novels by William Faulkner, Don DeLillo, and W. G. Sebald as well as Robert Smithson’s Spiral Jetty and Julie Dash’s Daughters of the Dust—he describes how writers and filmmakers depict the velocities and durations of contemporary life. Goble reveals the twentieth century and its aftermath as figured in slow motion: rushing past and deliriously delayed, everything going fast and slow at once. Downtime is about time and its technologies in an accelerated world that can advance only in slow motion.

Mark Goble is professor of English at the University of California, Berkeley. He is the author of Beautiful Circuits: Modernism and the Mediated Life (Columbia, 2010).

List of Illustrations
Introduction: Slow Motion, Very Quickly
Part I: A Theory in Slow Motion
1. At the Movies to the End of Time
2. Almost Freeze Frame
3. From Zero to Slow
4. Experiments in Time
5. Slow-Motion Modernism
6. Escape Velocities
7. Technological Aesthetics
8. New Media, Slow Media
9. What We See in Slow Motion
Part II: Modernity at Any Speed
10. Some Literary Histories of Slow Motion
11. Modernity’s Slow Start
12. Faulkner at the Speed Limit
13. Snopes at Rest
14. Remainder’s Instant Replays
15. Austerlitz’s Traumatic Pauses
16. Being in Racial Time: Daughters of the Dust
17. We Have Always Been in Slow Motion: The Discovery of Slowness
18. DeLillo, Slowing Down
19. From 9/11 to JFK in Slow Motion
20. Underworld: How Slow Is Now?
21. A “Sixties Incandescence”: Periodizing Slow Motion
Part III: Forever ’68
22. Bonnie and Clyde and Slow and Fast
23. Posthistoric Prehistoric Modernism: 2001: A Space Odyssey
24. How the West Slows Down: Sergio Leone and the Long Struggle
25. The Wild Bunch, or the Pains of Being Sam Peckinpah
26. Antonioni’s Art of Excess: Zabriskie Point
Acknowledgments
Notes
Bibliography
Index

Erscheinungsdatum	21.08.2025
Zusatzinfo	64 b&w film stills, 4 diagrams
Verlagsort	New York
Sprache	englisch
Maße	156 x 235 mm
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
	Sozialwissenschaften ► Pädagogik
ISBN-10	0-231-21915-6 / 0231219156
ISBN-13	978-0-231-21915-0 / 9780231219150
Zustand	Neuware