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Iconoclasm in European Cinema - Chiara Quaranta

Iconoclasm in European Cinema

The Ethics and Aesthetics of Image Destruction

(Autor)

Buch | Softcover
240 Seiten
2025
Edinburgh University Press (Verlag)
978-1-4744-9446-5 (ISBN)
CHF 37,90 inkl. MwSt
A philosophical study of image-destruction in European cinema.
Exploring anti-mimesis and image destruction in Western European films, Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction offers the first comprehensive study of philosophical iconoclasm in cinema. Drawing on continental philosophy of the image, medieval theology and recent developments in film ethics, it investigates the aesthetic and ethical significance of destroying certain film images, both literally (via damages to the filmstrip) and metaphorically (through blank screens, altered motion and disruptive sounds). Analysing the work of various filmmakers, the book considers iconoclastic gestures against the film image’s ability to mimetically represent contents on the verge of the invisible and the ineffable. This book demonstrates that the overlooked issue of iconoclasm in film is essential for understanding contemporary attitudes towards images and argues that cinematic iconoclasm can encourage an ethics of (in)visibility by questioning the limits of our right to see and show something on a screen.

Chiara Quaranta is Teaching Fellow in Film Studies at the University of Edinburgh

Figures

Acknowledgements

Introduction

Prologue: The Eikōn-Eidōlon Dichotomy from Plato to Film

Part I. Cinematic Iconoclasm as Critique: The Image as Eidōlon

Chapter 1. Aural Cinema: Isidore Isou’s Traité de bave et d’éternité

Chapter 2. An Aesthetics of Displeasure: Guy Debord’s Destructive Oeuvre

Chapter 3. Towards a Radical Voice: Carmelo Bene’s Our Lady of the Turks

Chapter 4. In Search of a True Image: Jean-Luc Godard’s Histoire(s) du cinéma

Part II. Cinematic Iconoclasm as an Ethics of (In)visibility: The Eikōn as Iconoclastic

Chapter 5. Impossible Encounters: Marguerite Duras’s Le Navire Night

Chapter 6. Blind Vision, Aural Resonances: Derek Jarman’s Blue

Chapter 7. Crumbling Faces: Ingmar Bergman’s Cries and Whispers

Chapter 8. Blocks of Suffering: Krzysztof Kieślowski’s Three Colours: Blue

Conclusion: A Communal Vision through Broken Images

Notes

Glossary

Bibliography

Filmography

Erscheinungsdatum
Zusatzinfo 24 black and white illustrations
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-4744-9446-3 / 1474494463
ISBN-13 978-1-4744-9446-5 / 9781474494465
Zustand Neuware
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