When a Woman Ascends the Stairs (Onna ga kaidan o agaru toki)
Seiten
2025
BFI Publishing (Verlag)
9781839026430 (ISBN)
BFI Publishing (Verlag)
9781839026430 (ISBN)
A study of Mikio Naruse's 1960 melodrama, When a Woman Ascends the Stairs, in the BFI Film Classics series.
Mikio Naruse's When A Woman Ascends The Stairs (1960) combines high melodrama with modernist film language, telling the story of Keiko, a bar hostess struggling to succeed in Tokyo's Ginza district.
Catherine Russell's study of the film provides an in-depth analysis of Naruse's distinctive filmmaking, from his use of two-shots in confined spaces, unique lighting techniques, and his "invisible" and "rhythmic" editing style. She analyses the recurring motif of a woman’s white-stockinged feet climbing stairs, considering how this symbolizes the social dynamics of the high-class Japanese sex industry that sustains hostess bar culture.
Russell goes on to argue that the film is a “late” woman’s film which engages with the institutional barriers to woman’s success in postwar Japan. She situates the film within the trajectory of Naruse's career and analyses how his social critique is balanced with an aestheticization of a harsh and brutally gendered world, creating an affective tension that is symptomatic of Naruse's own position as an industrial worker.
Mikio Naruse's When A Woman Ascends The Stairs (1960) combines high melodrama with modernist film language, telling the story of Keiko, a bar hostess struggling to succeed in Tokyo's Ginza district.
Catherine Russell's study of the film provides an in-depth analysis of Naruse's distinctive filmmaking, from his use of two-shots in confined spaces, unique lighting techniques, and his "invisible" and "rhythmic" editing style. She analyses the recurring motif of a woman’s white-stockinged feet climbing stairs, considering how this symbolizes the social dynamics of the high-class Japanese sex industry that sustains hostess bar culture.
Russell goes on to argue that the film is a “late” woman’s film which engages with the institutional barriers to woman’s success in postwar Japan. She situates the film within the trajectory of Naruse's career and analyses how his social critique is balanced with an aestheticization of a harsh and brutally gendered world, creating an affective tension that is symptomatic of Naruse's own position as an industrial worker.
Catherine Russell is Professor of Film Studies at the Mel Hoppenheim School of Cinema at Concordia University, Canada. She is author of Classical Japanese Cinema Revisited (Bloomsbury Academic, 2011) and The Cinema of Naruse Mikio: Women and Japanese Modernity (2008).
Introduction
1. Diary of a Ginza Bar Hostess
2. A World of Appearances
Conclusion
Credits
Bibliography
| Erscheinungsdatum | 22.03.2025 |
|---|---|
| Reihe/Serie | BFI Film Classics |
| Zusatzinfo | 60 bw illus |
| Sprache | englisch |
| Maße | 134 x 188 mm |
| Gewicht | 140 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-13 | 9781839026430 / 9781839026430 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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