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David Bowie and the Transformation of Music Video

1984-2016
Buch | Hardcover
240 Seiten
2027
Bloomsbury Academic (Verlag)
978-1-5013-9345-7 (ISBN)
CHF 113,00 inkl. MwSt
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A follow-up to David Bowie and the Art of Music Video, David Bowie and the Transformation of Music Video focuses on the ways in which Bowie expanded music video’s form and function within the context of media convergence, transmedia and remediation.

By 1984, Bowie was riding the wave of MTV. Staying just ahead of the cusp of the wave, he could see MTV’s demise on the horizon. The possibilities for transmedia artists were changing due to converging media, participatory culture and the increasingly creative participatory role of fans. A vanguard of transmedia artistry, Bowie acted in films and collaborated with directors who were also transmedia artists, strategies that helped him to spread his ‘brand’ even further across media.

Examining Bowie’s expansion of music video across artforms, platforms and mediums, this book shows how his music videos blurred genre boundaries and generated new ways of engaging with identity, philosophy, illness, death, art, mythology and archetype. Drawing upon the concepts of media convergence, transmedia, intertextuality, hauntology, lateness, dispersed authorship and participatory cultures, this book offers primary and secondary interviews with music video directors as well as close analyses of several music videos and illuminates convergences across film, television, dance, theatre, literature and philosophy.

Lisa Perrott is Senior Lecturer and Programme Convener of Screen and Media Studies at the University of Waikato, New Zealand. She is co-editor, with Ana Cristina Mendes, of Navigating with the Blackstar: The Mediality of David Bowie (special issue of Celebrity Studies, 2019) and David Bowie and Transmedia Stardom (2019). Her publications include David Bowie and the Art of Music Video (Bloomsbury, 2023), Time Is Out of Joint: The Transmedial Hauntology of David Bowie (2019) and Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer (2015). Her interests include animation, cultural studies and transmedia, with an emphasis on the relations between audio and visual media, popular music, music video and the avant-garde.

1. Introduction: Expanding Music Video
2. Blurring Boundaries: Transmedia Storytelling
3. Dancing Intertexts: Converging Mediums
4. Puppetry and Persona
5. Lateness, Hauntology and a ‘Total Work of Art’
6. Re-animating Bowie

Erscheint lt. Verlag 29.4.2027
Reihe/Serie New Approaches to Sound, Music, and Media
Verlagsort New York
Sprache englisch
Maße 152 x 229 mm
Themenwelt Kunst / Musik / Theater Musik Pop / Rock
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-5013-9345-6 / 1501393456
ISBN-13 978-1-5013-9345-7 / 9781501393457
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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