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Entangled Histories of Art and Migration -

Entangled Histories of Art and Migration

Theories, Sites and Research Methods
Buch | Softcover
428 Seiten
2024
Intellect Books (Verlag)
978-1-83595-047-0 (ISBN)
CHF 69,90 inkl. MwSt
Dedicated to the stories of migrants, refugees, asylum seekers and exiles, this collection explores the entanglements of art and aesthetic practices with migration, flight, enforced dislocation and border/border crossings in global contexts – a significant phenomenon of social transformation in the twentieth and twenty-first centuries. 131 b/w illus.
Dedicated to the stories of migrants, refugees, asylum seekers, and exiles, this collection asks how these stories are interwoven with art, art practices, activism, reception, and (re-)presentation. It explores the complex entanglements of art and aesthetic practices with migration, flight, and other forms of enforced dislocation and border/border crossings in global contexts - the latter significant phenomena of social transformation in the twentieth and twenty-first centuries.



These entanglements take centre stage when migration shapes forms and aesthetics (and vice versa), when actors employ image politics and visualisation strategies in and about migration at different times and places, or when materialities, sites, and spaces gain importance for decision-making processes.



Giving space to these stories of art and migration and its power of pluriverse knowledge production, the book takes an art and cultural studies perspective and questions the significance of spatial changes for artistic practice in migration and elaborates on new or different theory formation. Bringing together its case studies and theoretical approaches, the argumentation unfolds over the five sections of the book Visibilities | Invisibilities, Sites | Spaces, Materiality | Materialisation, Racism | Resistance and Practices | Performativity.



 



 



 



 

Cathrine Bublatzky, Ph.D., is a visual and media anthropologist. She is a senior lecturer and researcher at the Department of Social and Cultural Anthropology at Tübingen University in Germany. In her recent research and publications she focuses on migration, visual cultures, and the aesthetics and politics of belonging. Burcu Dogramaci is professor of twentieth-century and contemporary art history at the Ludwig-Maximilians-Universität Munich (LMU). In 2016 she was been awarded an ERC Consolidator Grant and leads the research project 'Relocating Modernism: Global Metropolises, Modern Art and Exile' (METROMOD). Kerstin Pinther is a professor of African art history and curator for modern and contemporary art in a global context at the Staatliche Museen Berlin, Germany. Mona Schieren is professor of transcultural art histories at the Hochschule fur Kunste, Bremen, Germany. She is a member of the DFG research network Entangled Histories of Art and Migration: Forms, Visibilities, Agents and the SNSF research project Materialized memories (in) the landscape at the Zurich University of the Arts.

List of figures 





Introduction 

Cathrine Bublatzky, Burcu Dogramaci, Kerstin Pinther

and Mona Schieren





SECTION 1: VISIBILITIES | INVISIBILITIES 

Cathrine Bublatzky and Burcu Dogramaci





1. Artistically Juxtaposed (Hi)stories: Hiwa K’s View

from Above as a Multidirectional Memory Practice

Kea Wienand





2. “I Like It but That’s Not What We Need”: Critical Ethnographic

Accounts of Art Workshops in Refugee Reception Centres

Alessandro Mazzola





3. Making Precarious Migrant Workers Visible and Audible

Through Art and Ethnography

Burcu Dogramaci and Ger Duijzings





4. Between Lights and Shadows: Border Crossing and the Art

of ‘Seeing’ and Being Seen

Sholeh Shahrokhi





SECTION 2: SITES | SPACES

Kerstin Meincke and Kerstin Pinther





5. Towards a Minor Textile Architecture: Kathryn Clark,

Loren Schwerd, and Igshaan Adams

Jessica Hemmings





ENTANGLED HISTORIES OF ART AND MIGRATION

6. Spatial Practices, Craftsmanship, and Empowerment.

On the Collaborative Project Faţadă/Façade on Roma

Building Culture in Dortmund

Kerstin Meincke





7. Evolution of a Hybrid Typology: Catholic Churches

Built in Huế, Vietnam in the Early Twentieth Century –

Nationalism and Decolonisation

Phi Nguyen





8. Atmospheres of Designed Diversity? The Spatial Politics of

Superkilen in Copenhagen

Mareike Schwarz





SECTION 3: MATERIALITY | MATERIALISATION

Buket Altinoba and Alma-Elisa Kittner





9. Silk Road Works 

Azra Aksamija





10. Singular Travels: Microhistory as a Museology

of Migration

Fabrice Langrognet





11. A Painting Goes into Exile. Picasso’s Guernica in the 

United States

Martin Schieder





12. Displaced Migrant Mobility: On Reappropriating Spaces

Through Embodied Materiality

Lilian Haberer





13. Norman Lewis’ Black Paintings in the 1960s:

Diasporic Image Concepts of Materiality and

Historicity

Angela Stercken





14. Halil Altındere’s Wonderland: Sacralisation and Subversion

in Sulukule

Gabriele Genge





15. On Materiality, Migration, and the Arts 

Alma-Elisa Kittner



SECTION 4: RACISM | RESISTANCE 

Elke Gaugele and Birgit Mersmann





16. The Difficulty of Remembering Racism Jena, Chemnitz,

Zwickau, and the NSU Complex

Maria Alexopoulou





17. Migratory Birds

Cana Bilir-Meier





18. Curatorial Strategies and Anti-racism in the Museum:

‘Exhibiting’ Racism, Resistance, and Empowerment

Josephine Apraku, Ismahan Wayah and Susanne Wernsing





19. Decolonial Insurgency for Art-Systemic Change:

Dissenting Art Museums in New York

Birgit Mersmann





20. Entangled Histories and ‘Influence’: Loïs Mailou Jones’

View on the Black Arts Movement in Her 1976 Dakar Lecture

Annabel Ruckdeschel





SECTION 5: PRACTICES | PERFORMATIVITY 

Burcu Dogramaci, Franziska Koch and Mona Schieren





21. Reparative Workshop and Body Practices in the Field of

Art, Diaspora, and Migration 1969 and 2020

Elke Gaugele and Mona Schieren





22. On the Performative Theory of a Migrant Body:

Theorising Bodily Speech Act – Thinking Together with Judith Butler

Yana Meerzon





23. China–Africa: Performing the Image of Migration and

Migration of Image

Mi You





24. On the (Im)possibilities of Migrating Images 

Anahita Razmi and Cathrine Bublatzky





25. Beyond Apprenticeship: El Loko and Joseph Beuys 

Anna K. Brus



26. Living Migration on Fluxus Island? Artistic World-Making as Both

Collaborative and Transcultural Endeavour

Franziska Koch





Biographies of the Authors

Erscheinungsdatum
Zusatzinfo 131 Halftones, black and white
Sprache englisch
Maße 170 x 244 mm
Gewicht 890 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Sozialwissenschaften Soziologie
ISBN-10 1-83595-047-7 / 1835950477
ISBN-13 978-1-83595-047-0 / 9781835950470
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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