The Art of Defiance
Edinburgh University Press (Verlag)
978-1-4744-9223-2 (ISBN)
At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah’s dictatorship and the regime’s "Great Civilisation" propaganda. With the emergence of urban guerrilla warfare in 1971, dissident artists – spearheaded by Marxist People’s Fadai Guerrillas (PFG) – created symbolic works that popularised the militants’ ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents.
By closely examining and interpreting the poetry, fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG militants – who were few in number – were able to acquire a ‘heroic’ dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence.
Peyman Vahabzadeh is Professor of Sociology at University of Victoria. He is the author of Articulated Experiences: Toward A Radical Phenomenology of Contemporary Social Movements (State University of New York Press, 2003), A Guerrilla Odyssey: Modernization, Secularism, Democracy and the Fadai Discourse of National Liberation in Iran, 1971-1979 (Syracuse University Press, 2010), Exilic Meditations: Essays on A Displaced Life (H&S Media, 2012), Parviz Sadri: A Political Biography (Shahrgon Books, 2015; in Persian), Violence and Nonviolence: Conceptual Excursions into Phantom Opposites (University of Toronto Press, 2019), and A Rebel’s Journey: Mostafa Sho‘aiyan and Revolutionary Theory in Iran (OneWorld, 2019). He is also the editor of Iran’s Struggles for Social Justice: Economics, Agency, Justice, Activism (Palgrave, 2017) and the co-editor, with Samir Gandesha, of Crossing Borders: Essays in Honour of Ian Angus (Arbeiter Ring, 2020). He has published eight books of poetry, fiction, literary criticism, and memoirs in Persian. His works have appeared in English, Persian, German, Kurdish, French and Spanish.
Introduction: Reading the Invisible Ink
Event and Myth: Preparatory Considerations for the
Study of Parallel Movements
Life Imitating Art: The Thirty-year Poetic History
Chanted Defiance: Singing a Culture of Resistance
Stark Realisms, Allusive Imaginaries: Short Fiction and Rebellion
Rebels on the Silver Screen: How Movies Limned Action
Conclusions: On Acting and the Arts: A Transnational Story
| Erscheinungsdatum | 21.02.2024 |
|---|---|
| Zusatzinfo | 7 black and white illustrations |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Politik / Verwaltung | |
| ISBN-10 | 1-4744-9223-1 / 1474492231 |
| ISBN-13 | 978-1-4744-9223-2 / 9781474492232 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
