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Prosthetic Agency - Gill Plain

Prosthetic Agency

Literature, Culture and Masculinity after World War II

(Autor)

Buch | Hardcover
290 Seiten
2023
Cambridge University Press (Verlag)
978-1-316-51320-0 (ISBN)
CHF 143,00 inkl. MwSt
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This book addresses the legacy of World War II on male identity and reinvention. It considers some of the many ways in which popular culture of the time sought to mediate these difficult transitions, exploring films, popular fiction, memoir and biography.
Prosthetic Agency: Literature, Culture and Masculinity after World War II examines the social and psychic upheaval of demobilisation. It maps the rapid transition from wartime regimentation to individual responsibility, from intense homosociality to heteronormative expectations, from normativity to disability and from uniformed masculinity to domestic citizenship. This book considers some of the many ways in which popular culture of the time sought to mediate these difficult transitions, exploring films, popular fiction, memoir and biography. In particular, the book explores how technology was imagined as a new space of masculine becoming and how disability was written, represented and assimilated. Through a focus on popular narrative, this book explores the modes of masculinity promoted as ideally suited to national reconstruction and tries to make sense of a culture of rehabilitation that could not name or know itself as such.

Gill Plain is Professor of English at the University of St Andrews and has published extensively on war writing, mid-century British literature and film, popular culture and gender. Her books include Twentieth-Century Crime Fiction (2001), John Mills and British Cinema (2006), Literature of the 1940s: War, Postwar and 'Peace' (2013) and, as editor, British Literature in Transition, 1940–1960 (2018).

Introduction; Part I. Technology: 1. Enabling machines: Hammond Innes, Nevil Shute and technologies of rehabilitation; 2. Cinema in the sky: risk, responsibility and domestic citizenship; 3. Bad science: Nigel Balchin and the limits of technological man-making; Part II. Disability: 4. Writing rehabilitation: prosthetic autobiography and self-(re)invention; 5. Unrepresentable wounds? Nevil Shute, Hammond Innes and the legacies of damage; 6. A 'machine genius of the new aerial art': imagining Douglas Bader; Coda: of pigs and men.

Erscheinungsdatum
Zusatzinfo Worked examples or Exercises
Verlagsort Cambridge
Sprache englisch
Maße 158 x 235 mm
Gewicht 570 g
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-316-51320-3 / 1316513203
ISBN-13 978-1-316-51320-0 / 9781316513200
Zustand Neuware
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