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Taiwan New Cinema at Film Festivals - Beth Tsai

Taiwan New Cinema at Film Festivals

(Autor)

Buch | Hardcover
192 Seiten
2023
Edinburgh University Press (Verlag)
978-1-4744-9691-9 (ISBN)
CHF 152,00 inkl. MwSt
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Revisits Taiwan New Cinema in relation to film festivals from cultural, historical, and geopolitical standpoints
Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China’s image.
Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation’, brought forth by Taiwan’s multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization.

Beth Tsai is Visiting Assistant Professor in East Asian Languages and Cultural Studies at the University of California, Santa Barbara. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies.

List of Illustrations

Acknowledgements

INTRODUCTION
PART I. HISTORICIZING TAIWAN NEW CINEMA
1. The Rise of Taiwan New Cinema and the Festival Strategy
2. Women Critics and Building the Auteur
PART II. FILMMAKERS IN FOCUS
3. Going East: Women Walk the City in Hou Hsiao-hsien’s Le voyage du ballon rouge (2007) and Café Lumière (2003)
4. Going West: Tsai Ming-liang at the Louvre and Cinema in the Gallery
5. A Southbound Turn: Dreaming Taiwan in Midi Z’s Realist Films
6. To the Future: Film Festivals as Producers and Sleeping in the Cinema

Postscript: An American Girl in Taiwan
Bibliography

Erscheinungsdatum
Zusatzinfo 27 black and white illustrations
Verlagsort Edinburgh
Sprache englisch
Maße 156 x 234 mm
Themenwelt Kunst / Musik / Theater Film / TV
Schulbuch / Wörterbuch Lexikon / Chroniken
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-4744-9691-1 / 1474496911
ISBN-13 978-1-4744-9691-9 / 9781474496919
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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