Post-Horror
Edinburgh University Press (Verlag)
9781474475891 (ISBN)
David Church is a film and media scholar specializing in genre studies, taste cultures, and histories of film circulation. He is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (EUP, 2015), Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema (Bloomsbury, 2016), and Mortal Kombat: Games of Death (University of Michigan Press, 2022).
FiguresAcknowledgments
1. Apprehension Engines: Defining a New Wave of Art-Horror Cinema
2. "Slow," "Smart," "Indie," "Prestige," "Elevated": Discursive Struggle for Cultural Distinction
3. Grief, Mourning, and the Horrors of Familial Inheritance
4. Horror by Gaslight: Epistemic Violence and Ambivalent Belonging
5. Beautiful, Horrible Desolation: Landscape in Post-Horror Cinema
6. Queer Ethics and the Urban Ruin-Porn Landscape: The Horrors of Monogamy in It Follows
7. Existential Dread and the Trouble with Transcendence
Selected BibliographyIndex
| Erscheinungsdatum | 02.12.2022 |
|---|---|
| Zusatzinfo | 20 black and white illustrations, 1 black and white table |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-13 | 9781474475891 / 9781474475891 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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