George A. Romero's Independent Cinema
Horror, Industry, Economics
Seiten
2022
Edinburgh University Press (Verlag)
978-1-4744-7995-0 (ISBN)
Edinburgh University Press (Verlag)
978-1-4744-7995-0 (ISBN)
Examines George A. Romero’s regional production company Laurel Entertainment and its contribution to American cinema.
George A. Romero is recognised as one of the most culturally significant horror auteurs in American cinema. From his debut Night of the Living Dead onwards, he demonstrated a commitment to politically challenging low-budget genre cinema, gaining fan adoration and critical esteem. Romero’s cult status may be assured, but the activities of the Pittsburgh-based production company that facilitated a substantial part of his output have largely been untold.
George A. Romero’s Independent Cinema is the first in-depth analysis of Romero’s Laurel Entertainment, revealing the decision-making and business planning that takes place away from Hollywood, while offering an industry-determined analysis of such films as his zombie masterpiece Dawn of the Dead and the seldom-discussed Martin and Knightriders. Tracking Laurel Entertainment across four decades, this book draws upon business and economic studies to critically recast historical developments in the American independent film sector, providing a forensic-level insight into a media production company whose output redefined horror cinema.
George A. Romero is recognised as one of the most culturally significant horror auteurs in American cinema. From his debut Night of the Living Dead onwards, he demonstrated a commitment to politically challenging low-budget genre cinema, gaining fan adoration and critical esteem. Romero’s cult status may be assured, but the activities of the Pittsburgh-based production company that facilitated a substantial part of his output have largely been untold.
George A. Romero’s Independent Cinema is the first in-depth analysis of Romero’s Laurel Entertainment, revealing the decision-making and business planning that takes place away from Hollywood, while offering an industry-determined analysis of such films as his zombie masterpiece Dawn of the Dead and the seldom-discussed Martin and Knightriders. Tracking Laurel Entertainment across four decades, this book draws upon business and economic studies to critically recast historical developments in the American independent film sector, providing a forensic-level insight into a media production company whose output redefined horror cinema.
Dr Tom Fallows is a Seminar Leader at the University of Exeter, where he recently completed his PhD
List of Tables and FiguresAcknowledgments
Introduction
Latent Image(s): Revealing Industrial Alternatives, 1963-1973
A New Dawn: Cult, Risk and the Independent Film Producer, 1973-1979
‘Camelot is a State of Mind’: Professional Product, Independent Spirit, 1979-1982
The Once and Future King: Agency and the Limits of Control, 1981-1985
Last Stand: Mergers, Acquisitions and the Small Business Enterprise, 1985-1994
Epilogue: Life After DeathLaurel MediographyWorks CitedIndex
| Erscheinungsdatum | 01.02.2022 |
|---|---|
| Zusatzinfo | 15 black and white illustrations |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-4744-7995-2 / 1474479952 |
| ISBN-13 | 978-1-4744-7995-0 / 9781474479950 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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