Hell of a Hat
The Rise of ’90s Ska and Swing
Seiten
2021
Pennsylvania State University Press (Verlag)
978-0-271-09038-2 (ISBN)
Pennsylvania State University Press (Verlag)
978-0-271-09038-2 (ISBN)
In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Hell of a Hat dives deep into this unique musical moment.
Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary.
An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.
Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary.
An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.
Kenneth Partridge is a music and pop-culture journalist based in Brooklyn, New York. He has written for publications such as Billboard, The AV Club, Pitchfork, The Atlantic, Refinery 29, and Genius, where he is a managing editor.
Acknowledgements
Introduction: Bring on the Horns
1. Noise Brigade
2. Trapped in a Box
3. The Contender and the Kings of Swing
4. Skanking Behind the Orange Curtain
5. California Skaquake
6. One Nation Under Ska-Punk
7. Old’s Cool
8. East Side Beat
9. Misfits of Swing
10. Stray Cat Swings
11. Swinging at the Margins
Conclusion: The Beats Go On
Source Essays and Further Reading
Index
| Erscheinungsdatum | 05.07.2021 |
|---|---|
| Reihe/Serie | American Music History |
| Zusatzinfo | 16 Halftones, black and white |
| Verlagsort | University Park |
| Sprache | englisch |
| Maße | 152 x 203 mm |
| Gewicht | 431 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Sozialwissenschaften | |
| ISBN-10 | 0-271-09038-3 / 0271090383 |
| ISBN-13 | 978-0-271-09038-2 / 9780271090382 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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