The Politics of Art
Dissent and Cultural Diplomacy in Lebanon, Palestine, and Jordan
Seiten
2021
|
New edition
Stanford University Press (Verlag)
978-1-5036-0434-6 (ISBN)
Stanford University Press (Verlag)
978-1-5036-0434-6 (ISBN)
Over the last three decades, a new generation of conceptual artists has come to the fore in the Arab Middle East. As wars, peace treaties, sanctions, and large-scale economic developments have reshaped the region, this cohort of cultural producers has also found themselves at the center of intergenerational debates on the role of art in society. Central to these cultural debates is a steady stream of support from North American and European funding organizations—resources that only increased with the start of the Arab uprisings in the early 2010s.
The Politics of Art offers an unprecedented look into the entanglement of art and international politics in Beirut, Ramallah, and Amman to understand the aesthetics of material production within liberal economies. Hanan Toukan outlines the political and social functions of transnationally connected and internationally funded arts organizations and initiatives, and reveals how the production of art within global frameworks can contribute to hegemonic structures even as it is critiquing them—or how it can be counterhegemonic even when it first appears not to be. In so doing, Toukan proposes not only a new way of reading contemporary art practices as they situate themselves globally, but also a new way of reading the domestic politics of the region from the vantage point of art.
The Politics of Art offers an unprecedented look into the entanglement of art and international politics in Beirut, Ramallah, and Amman to understand the aesthetics of material production within liberal economies. Hanan Toukan outlines the political and social functions of transnationally connected and internationally funded arts organizations and initiatives, and reveals how the production of art within global frameworks can contribute to hegemonic structures even as it is critiquing them—or how it can be counterhegemonic even when it first appears not to be. In so doing, Toukan proposes not only a new way of reading contemporary art practices as they situate themselves globally, but also a new way of reading the domestic politics of the region from the vantage point of art.
Hanan Toukan is Associate Professor of Politics and Middle East Studies at Bard College Berlin.
Introduction: n/a
1. Cultural Wars and the Politics of Diplomacy
2. "An Artist Who Cannot Speak English Is No Artist"
3. The Dissonance of Dissent: Art and Artists after 1990
4. Beirut: The Rise and Rise of Postwar Art
5. Amman: Uneasy Lie the Arts
6. Ramallah: The Paintbrush Is Mightier than the M16
Conclusion: n/a
| Erscheinungsdatum | 17.05.2021 |
|---|---|
| Reihe/Serie | Stanford Studies in Middle Eastern and Islamic Societies and Cultures |
| Zusatzinfo | 19 halftones |
| Verlagsort | Palo Alto |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Politik / Verwaltung | |
| ISBN-10 | 1-5036-0434-9 / 1503604349 |
| ISBN-13 | 978-1-5036-0434-6 / 9781503604346 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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