The Question of Class in Contemporary Latin American Cinema
Seiten
2020
Lexington Books (Verlag)
9781498553049 (ISBN)
Lexington Books (Verlag)
9781498553049 (ISBN)
This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen.
The Question of Class in Contemporary Latin American Cinema responds to the renewed interest in class within and outside academia by examining the aesthetics and politics of class in a representative selection of films from the contemporary cinemas of Venezuela, Cuba, Mexico, Brazil, and Argentina. It explores the relationship of cinematic practices to conflicting socio-political transformations taking place in these five countries such as the intensification of neoliberalism, the Turn-to-the-Left, and the growth of the middle classes in the period from 2003 to 2015. Utilizing a critical comparative method , it sheds a critical light on the presumed depoliticization (or new, aestheticized politicization) of contemporary Latin American cinema. The combined textual and industrial analyses of films from strikingly different cinemas and directors through the lenses of class allows for a contextualization of this trend and the observation of its limitations. Furthermore, this book distinguishes cinematic figurations that correspond to new conceptualizations of class introduced in social studies from figurations of class that have yet to be conceptualized.
The Question of Class in Contemporary Latin American Cinema responds to the renewed interest in class within and outside academia by examining the aesthetics and politics of class in a representative selection of films from the contemporary cinemas of Venezuela, Cuba, Mexico, Brazil, and Argentina. It explores the relationship of cinematic practices to conflicting socio-political transformations taking place in these five countries such as the intensification of neoliberalism, the Turn-to-the-Left, and the growth of the middle classes in the period from 2003 to 2015. Utilizing a critical comparative method , it sheds a critical light on the presumed depoliticization (or new, aestheticized politicization) of contemporary Latin American cinema. The combined textual and industrial analyses of films from strikingly different cinemas and directors through the lenses of class allows for a contextualization of this trend and the observation of its limitations. Furthermore, this book distinguishes cinematic figurations that correspond to new conceptualizations of class introduced in social studies from figurations of class that have yet to be conceptualized.
María Mercedes Vázquez Vázquez is lecturer and honorary assistant professor at the University of Hong Kong.
List of Figures
Acknowledgements
Introduction
1. Class and Romance in Socialism
2. Space Defining Class: Middle-class Cinemas: Post-Tenebras Lux and Que horas ela volta?
3. Class and the State: State Institutions: Slum Pacification and Prison Riots in Brazil
4. The Return of the People: Wrestling with the State: “Up with Populism!” in Venezuela
5. The Globalization of Class on Screen: Amat Escalante’s “Engaged Visuality”
6. Class and Race: Exploring New Class Figurations in Asian-themed Films Produced in Latin America
Conclusion
References
Index
About the Author
| Erscheinungsdatum | 10.05.2021 |
|---|---|
| Zusatzinfo | 21 b/w photos |
| Sprache | englisch |
| Maße | 153 x 218 mm |
| Gewicht | 363 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-13 | 9781498553049 / 9781498553049 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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