Made in France
Routledge (Verlag)
9780367869779 (ISBN)
Contributors:
Christian Béthune
Juliette Dalbavie
Gérôme Guibert
Fabien Hein
Olivier Julien
Marc Kaiser
Barbara Lebrun
David Looseley
Stéphanie Molinero
Anne Petiau
Cécile Prévost-Thomas
Vincent Rouzé
Catherine Rudent
Matthieu Saladin
Jedediah Sklower
Raphaël Suire
Florence Tamagne
Gérôme Guibert is a doctor in sociology and associate professor at the Paris III Sorbonne Nouvelle University. He has published many books, including La Production de la culture: Le cas des musiques amplifiées en France and is editor-in-chief of Volume!, the French journal of popular music studies. Catherine Rudent is a doctor and an associate professor in musicology at Paris-Sorbonne University (Paris IV). She is the author of L’Album de chansons: Entre processus social et œuvre musicale. A founding member of the European francophone branch of the International Association for the Study of Popular Music (IASPM), in 2011 she created a book series about popular music, Musiques Populaires Actuelles/Amplifiées.
Introduction: What’s the French Touch in French Popular Music? A sociohistorical introduction to chanson and other French repertoires (Gérôme Guibert)
Part I: Zeitgeist. The mutations of French popular music during the "30 glorieuses"
Preamble I: Introduction (Gérôme Guibert and Catherine Rudent)
1. Yéyé covers or the keynote to a societal adaptation (Matthieu Saladin)
2. Juvenile delinquency, social unrest and national anxiety French debates and controversies over rock’n’roll in the 1960’s and 1970’s (Florence Tamagne)
3. "Lost song": Serge Gainsbourg and the transformation of French popular music (Olivier Julien)
4. The record industry in the 1960-1970s: The forgotten story of French popular music (Marc Kaiser)
Part II: Politicizing popular music
Preamble II (Gérôme Guibert and Catherine Rudent)
5. Aural wars: Race, class, politics and the dilemmas of free jazzmen in sixties France (Jedediah Sklower)
6. Marche ou crève: The band Trust and the singular case of the birth of French heavy metal (Gérôme Guibert)
7. Rock, race and the republic: Musical identities in post-colonial France (Barbara Lebrun)
Part III: Assimilation, appropriation, French specificity
Preamble III (Gérôme Guibert and Catherine Rudent)
8. Chanson française: Between musical realities and social representations (Cécile Prévost-Thomas)
9. Chanson française: A genre without musical identity (Catherine Rudent)
10. Rap audiences in France: The diversification and heterogenization of the appeal of rap music (Stéphanie Molinero)
11. Towards a greater appreciation of the poetry of French rap (Christian Béthune)
12. Punk rock entrepreneurship in France (Fab
| Erscheinungsdatum | 24.12.2019 |
|---|---|
| Reihe/Serie | Routledge Global Popular Music Series |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Gewicht | 550 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-13 | 9780367869779 / 9780367869779 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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