Spanish Cinema Against Itself
Indiana University Press (Verlag)
978-0-253-04631-4 (ISBN)
Steven Marsh is Professor of Spanish Film and Cultural Studies at the University of Illinois at Chicago. He is author of Popular Spanish Film Under Franco: Comedy and the Weakening of the State and editor (with Parvati Nair) of Gender and Spanish Cinema.
Acknowledgments
Introduction: Différance. Otherness. Experiment.
1. Interrogations of the National Allegory: Trance film and Ethnography
2. Intermediality, Intoxication, and the Infrathin
3. The Discontinuous Legacies of Pere Portabella: Between Heritage and Inheritance
4. History, Hauntology, Representation: Spanish Cinema Against Itself
5. The Ex of Experimentation: Against Periodization
6. The Catacoustic and the Cosmopolitan: Rhythm and Timbre in the Films of Andrés Duque
7. Turns and Returns, Envois/Renvois: The Postal Effect in Recent Spanish Film
8. Retrospective Future Perfect: History, Black Holes, and Time Warps in the Films of Los Hijos and Luis López Carrasco
9. ¡No nos representan!: Performativity as Militant Film, the 15-M Archive
Afterword: Unruly Archives. La décima carta and Buenas noches, España
Index
| Erscheinungsdatum | 25.02.2019 |
|---|---|
| Reihe/Serie | New Directions in National Cinemas |
| Zusatzinfo | 75 b&w illus. |
| Verlagsort | Bloomington, IN |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 372 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Militärgeschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-253-04631-9 / 0253046319 |
| ISBN-13 | 978-0-253-04631-4 / 9780253046314 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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