The Audience Effect
Edinburgh University Press (Verlag)
978-1-4744-3177-4 (ISBN)
Julian Hanich is Associate Professor of Film Studies at the University of Groningen. In his research he focuses on audience emotions and affects, the film experience, and questions of film style. His first monograph Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (2010) was a phenomenological investigation into the question why viewers enjoy being scared. His articles have appeared in Screen, Cinema Journal, Projections and many others.
List of Illustrations Acknowledgements
Establishing Shot: Definition and History1. Introduction: What Is the Audience Effect? 2. Excavating the Audience Effect: Precursors in the History of Film Theory
Long Shot: Types of Collective Viewing Introductory Notes3. Quiet-Attentive Viewing: Toward a Typology of Collective Spectatorship, Part I 4. Expressive-Diverted Viewing: Toward a Typology of Collective Spectatorship, Part II
Medium Shot: On the Cinema’s Affective Audience Effects 5. I, You and We: Investigating the Cinema’s Affective Audience Interrelations 6. Feeling Close: Conceptualizing the Cinema’s Affective We-Experiences
Close-up: Case Studies of Affective Audience Effects7. Chuckle, Chortle, Cackle: A Phenomenology of Cinematic Laughter 8. When Viewers Silently Weep: A Phenomenology of Cinematic Tears 9. Distance and Distraction: A Phenomenology of Cinematic Anger
Fade-Out: Conclusion10. The Audience Effect in the Cinema and Beyond
GlossaryBibliographyIndex
| Erscheinungsdatum | 02.06.2019 |
|---|---|
| Zusatzinfo | 25 B/W illustrations |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-4744-3177-1 / 1474431771 |
| ISBN-13 | 978-1-4744-3177-4 / 9781474431774 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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