The Japanese Cinema Book
BFI Publishing (Verlag)
978-1-84457-679-1 (ISBN)
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Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film.
With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon.
The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions.
The Japanese Cinema Book is divided into seven inter-related sections:
- Theories and Approaches
- * Institutions and Industry
- * Film Style
- * Genre
- * Times and Spaces of Representation
- * Social Contexts
- * Flows and Interactions
Hideaki Fujiki is Professor of Cinema Studies and Japanese Studies at Nagoya University, Japan. He is the author of Making Personas: Transnational Film Stardom in Modern Japan and his essays have appeared in Stephanie Dennison and Song Hwee Lim (eds.) Remapping World Cinema: Identity, Culture and Politics in Film, Cinema Journal, Japan Forum, Review of Japanese Culture and Society, and Iconics, and he has contributed to the Oxford Handbook of Japanese Cinema. Alastair Phillips is Associate Professor of Film Studies at the University of Warwick, UK. He is the author of City of Darkness, City of Light: Émigré Filmmakers in Paris 1929-1939 and Rififi: A French Film Guide. He is the co-author of 100 Film Noirs (BFI Screen Guides) and the co-editor of Journeys of Desire: European Actors in Hollywood; Japanese Cinema: Texts and Contexts and A Companion to Jean Renoir. His articles on international film history and aesthetics have appeared in numerous journals and books. He is an editor of the journal Screen and serves on the Editorial Advisory Boards of The Journal of Japanese and Korean Cinema and the BFI Film Classics series.
I: INTRODUCTION.- 1. Japanese Cinema and Its Multiple Perspectives; Hideaki Fujiki and Alastair Phillips.- .- II: THEORIES AND APPROACHES.- Section Introduction; Hideaki Fujiki and Alastair Phillips.- 2. Authorship; Alex Jacoby.- 3. Spectatorship; Hideaki Fujiki.- 4. Technology; Johan Nordstrum.- 5. Narrative; Kinoshita Kosuke.- 6. Gender and Sexuality; Ayako Saito.- 7. Early Cinema; Aaron Gerow.- .- III: INSTITUTIONS AND INDUSTRY.- Section Introduction; Hideaki Fujiki and Alastair Phillips.- 8. The Japanese Studio System; Kitaura Hiroyuki, translated by Thomas Kabara.- 9. Stardom; Yuka Kanno.- 10. Exhibition; Manabu Ueda.- 11. Japanese Cinema and Transmedial Relations; Marc Steinberg.- 12. Censorship and Education; Rachael Hutchinson.- 13. Cultures of Film Criticism; Naoki Yamamoto.- 14. Japanese Cinema and International Film Festivals; Julian Stringer.- 15. Experimental Japanese Cinema; Julian Ross.- .- IV: FILM STYLE.- Section Introduction; Hideaki Fujiki and Alastair Phillips.- 16. Cinematography; Daisuke Miyao.- 17. Acting; Chika Kinoshita.- 18. Set Design; Fumiaki Itakura.- 19. Music; Yuna de Lannoy.- .- V: GENRE.- Section Introduction; Hideaki Fujiki and Alastair Phillips.- 20. Melodrama; Ryoko Misono.- 21. Period Film; Sybil A. Thornton.- 22. Musical; Michael Raine.- 23. Horror; Michael Crandol.- 24. Yakuza; Isolde Standish.- 25. Anime; Thomas Lamarre .- 26. Documentary; Abé Mark Nornes.- .- VI: TIME AND SPACES OF REPRESENTATION.- Section Introduction; Hideaki Fujiki and Alastair Phillips.- 27. Japanese Cinema and Rural Landscape; Sharon Hayashi.- 28. Japanese Cinema and the Home; Woojeong Joo.- 29. Japanese Cinema and the Archive; Oliver Dew.- 30. Japanese Cinema and the City; Alastair Phillips.- .- VII: SOCIAL CONTEXTS.- Section Introduction; Hideaki Fujiki and Alastair Phillips.- 31. The Asia Pacific War; Naomi Ginoza.- 32. The Occupation; Mitsuyo Wada-Marciano.- 33. Social Protest; Vera Mackie.- 34. Minority Culture; Mika Ko.- 35. Globalisation: Inside and Outside Japan; Cobus van Staden.- .- VIII: FLOWS AND EXCHANGES .- Section Introduction; Hideaki Fujiki and Alastair Phillips.- 36. Japanese Cinema and its Post-Colonial Histories; Stephanie DeBore.- 37. Japanese Cinema and Peripheries; Andrew Dorman.- 38. Japanese Cinema and Hollywood; Hiroshi Kitamura.- 39. Japanese Cinema and Europe; Tamaki Tsuchida.- 40. International Remakes and Adaptations; Ryan Cook.- IX: Index.
| Erscheinungsdatum | 17.04.2020 |
|---|---|
| Zusatzinfo | 100 |
| Sprache | englisch |
| Maße | 189 x 246 mm |
| Gewicht | 1520 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-84457-679-5 / 1844576795 |
| ISBN-13 | 978-1-84457-679-1 / 9781844576791 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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