Publishing Manifestos
An International Anthology from Artists and Writers
Seiten
2019
MIT Press (Verlag)
978-0-262-53718-6 (ISBN)
MIT Press (Verlag)
978-0-262-53718-6 (ISBN)
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Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice.
Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue-or even medium-for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.
The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile-including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.
Contributors:
And Publishing, Oswald de Andrade, Art-Rite, Tauba Auerbach, Michael Baers, Ricardo Basbaum, Derek Beaulieu, Anita Di Bianco, Riccardo Boglione, Jorge Luis Borges, bpNichol, Kate Briggs, Broken Dimanche Press, Urvashi Butalia, Ulises Carrion, Cassava Republic, Mariana Castillo Deball, Arpita Das, Constant Dullaart, Craig Dworkin, Ntone Edjabe, Zenon Fajfer, Robert Fitterman, Marina Fokidis, General Idea, Annette Gilbert, Girls Like Us, Gloria Glitzer, Marianne Groulez, Alex Hamburger, Kathleen Hanna, Karl Holmqvist, Lisa Holzer, Tom Jennings, Ray Johnson, David Jourdan, Sharon Kivland, Kwani?, Bruce LaBruce, Tan Lin, El Lissitzky, Alessandro Ludovico, Sara MacKillop, Steve McCaffery, Jonathan Monk, Simon Morris, Leon Munoz Santini, bp Nichol, Deke Nihilson, Aurelie Noury, Johnny Noxzema, Clive Phillpot, Michalis Pichler, Vanessa Place, Seth Price, Queeres Verlegen, Allen Ruppersberg, Joachim Schmid, Carlos Soto Roman, Paul Soulellis, Matthew Stadler, Gertrude Stein, Paul Stephens, Mladen Stilinovic, Katja Stuke, Temporary Services, Nick Thurston, TIQQUN, Elisabeth Tonnard, Eric Watier, Erik van der Weijde, Lawrence Weiner, Eva Weinmayr, Jan Wenzel, Stephen Willats, zubaan
Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue-or even medium-for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.
The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile-including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.
Contributors:
And Publishing, Oswald de Andrade, Art-Rite, Tauba Auerbach, Michael Baers, Ricardo Basbaum, Derek Beaulieu, Anita Di Bianco, Riccardo Boglione, Jorge Luis Borges, bpNichol, Kate Briggs, Broken Dimanche Press, Urvashi Butalia, Ulises Carrion, Cassava Republic, Mariana Castillo Deball, Arpita Das, Constant Dullaart, Craig Dworkin, Ntone Edjabe, Zenon Fajfer, Robert Fitterman, Marina Fokidis, General Idea, Annette Gilbert, Girls Like Us, Gloria Glitzer, Marianne Groulez, Alex Hamburger, Kathleen Hanna, Karl Holmqvist, Lisa Holzer, Tom Jennings, Ray Johnson, David Jourdan, Sharon Kivland, Kwani?, Bruce LaBruce, Tan Lin, El Lissitzky, Alessandro Ludovico, Sara MacKillop, Steve McCaffery, Jonathan Monk, Simon Morris, Leon Munoz Santini, bp Nichol, Deke Nihilson, Aurelie Noury, Johnny Noxzema, Clive Phillpot, Michalis Pichler, Vanessa Place, Seth Price, Queeres Verlegen, Allen Ruppersberg, Joachim Schmid, Carlos Soto Roman, Paul Soulellis, Matthew Stadler, Gertrude Stein, Paul Stephens, Mladen Stilinovic, Katja Stuke, Temporary Services, Nick Thurston, TIQQUN, Elisabeth Tonnard, Eric Watier, Erik van der Weijde, Lawrence Weiner, Eva Weinmayr, Jan Wenzel, Stephen Willats, zubaan
Michalis Pichler, an artist-author, has published conceptual bookworks with Printed Matter, Revolver/Archiv fur aktuelle Kunst, cneai (Chatou), and Kunstverein Milano and edited the critical anthology Books and Ideas after Seth Siegelaub. He cofounded Miss Read: The Berlin Art Book Festival, an artist-run public meeting place for discourse around artists' books, conceptual publications, publishing as practice, which has evolved into Europe's largest book fair.
| Erscheinungsdatum | 07.03.2019 |
|---|---|
| Reihe/Serie | The MIT Press |
| Zusatzinfo | 60 b&w illus.; 120 Illustrations |
| Verlagsort | Cambridge, Mass. |
| Sprache | englisch |
| Maße | 178 x 241 mm |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Sozialwissenschaften ► Kommunikation / Medien ► Buchhandel / Bibliothekswesen | |
| ISBN-10 | 0-262-53718-4 / 0262537184 |
| ISBN-13 | 978-0-262-53718-6 / 9780262537186 |
| Zustand | Neuware |
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