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Lessons in Perception

The Avant-Garde Filmmaker as Practical Psychologist

(Autor)

Buch | Hardcover
226 Seiten
2018
Berghahn Books (Verlag)
978-1-78533-641-6 (ISBN)
CHF 173,00 inkl. MwSt
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Lessons in Perception brings together film theory and psychological research by exploring how experimental filmmakers expand the viewer's range of aesthetic sensitivities, and the creative possibilities uncharted by commercial cinema.
Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.

Paul Taberham is Associate Professor in Animation Studies at the Arts University Bournemouth. He is the coeditor of Cognitive Media Theory (2014) and The New Experimental Animation: From Analogue to Digital (2018). Paul has appeared on radio, spoken internationally at conferences, and published articles for several edited collections and journals including Projections: The Journal for Movies and Mind and Animation Journal. He is a fellow of The Society for Cognitive Studies of the Moving Image.

List of Illustrations

Acknowledgements



Introduction



PART I: COGNITION



Chapter 1. The Specter of Narrative

Chapter 2. Ghost Films of the Avant-Garde



PART II: VISUAL PERCEPTION



Chapter 3. Bottom Up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage

Chapter 4. Robert Breer and the Dialectic of Eye and Camera



PART III: AUDIO-VISUAL PERCEPTION



Chapter 5. Synaesthetic Film Reconsidered

Chapter 6. Three Dimensions of Visual Music



Conclusion



Bibliography

Erscheinungsdatum
Zusatzinfo 25 Illustrations
Verlagsort Oxford
Sprache englisch
Maße 152 x 229 mm
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Psychologie Allgemeine Psychologie
Geisteswissenschaften Psychologie Verhaltenstherapie
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-78533-641-X / 178533641X
ISBN-13 978-1-78533-641-6 / 9781785336416
Zustand Neuware
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