Time, Existential Presence and the Cinematic Image
Edinburgh University Press (Verlag)
978-1-4744-3623-6 (ISBN)
Sam Girgus is Professor of English at Vanderbilt University.
Introduction: Existential Presence and the Cinematic Image: Ethics and Emergence to Being in Film
Part I. The Otherness of Existence and "Spacious Temporality": Delayed Cinema and FreedomChapter 1: Delayed Cinema and "The Space-Time of Freedom": De Sica’s Bicycle Thieves (1948)Chapter 2: La Demora (2012)Chapter 3: Existence and Ethics in the Dardenne Brothers’ Two Days, One Night (2015)
Part II: Western Spaces: Landscapes of Denial, Death, and FreedomChapter 4: El Viaje: Tommy Lee Jones and the Violent Times of the Mission to MexicoChapter 5: The American Way: Time, Death, and Resurrection in Iñárritu’s Western Masterpiece
Epilogue: Time, Spacing and the Body in Martin Scorsese’s The Age of Innocence (1993)
| Erscheinungsdatum | 06.10.2018 |
|---|---|
| Zusatzinfo | 10 black and white illustrations |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 446 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-4744-3623-4 / 1474436234 |
| ISBN-13 | 978-1-4744-3623-6 / 9781474436236 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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