New Realism
Contemporary British Cinema
Seiten
2020
Edinburgh University Press (Verlag)
978-1-4744-1303-9 (ISBN)
Edinburgh University Press (Verlag)
978-1-4744-1303-9 (ISBN)
Taking 5 filmmakers (Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard) as case studies, this book seeks to explore in depth this new tradition of British cinema – and in the process, it reignites debates over realism that have concerned scholars for decades.
The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema – and in the process, it reignites debates over realism that have concerned scholars for decades.
The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema – and in the process, it reignites debates over realism that have concerned scholars for decades.
David Forrest is Senior Lecturer in Film Studies at the University of Sheffield
Acknowledgements
Introduction
Chapter 1: Duane Hopkins
Chapter 2: Joanna Hogg
Chapter 3: Andrea Arnold
Chapter 4: Shane Meadows
Chapter 4: Clio Barnard
Conclusion: New Realism is dead, Long Live New Realism?
References
| Erscheinungsdatum | 29.06.2020 |
|---|---|
| Reihe/Serie | Traditions in World Cinema |
| Zusatzinfo | 15 black and white illustrations |
| Verlagsort | Edinburgh |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 486 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-4744-1303-X / 147441303X |
| ISBN-13 | 978-1-4744-1303-9 / 9781474413039 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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