From Idols to Antiquity
Forging the National Museum of Mexico
Seiten
2017
University of Nebraska Press (Verlag)
978-1-4962-0337-3 (ISBN)
University of Nebraska Press (Verlag)
978-1-4962-0337-3 (ISBN)
In From Idols to Antiquity, Miruna Achim explores the origins and development of the National Museum of Mexico and the complicated histories of Mexican antiquities during the first half of the nineteenth century.
From Idols to Antiquity explores the origins and tumultuous development of the National Museum of Mexico and the complicated histories of Mexican antiquities during the first half of the nineteenth century. Following independence from Spain, the National Museum of Mexico was founded in 1825 by presidential decree. Nationhood meant cultural as well as political independence, and the museum was expected to become a repository of national objects whose stories would provide the nation with an identity and teach its people to become citizens.
Miruna Achim reconstructs the early years of the museum as an emerging object shaped by the logic and goals of historical actors who soon found themselves debating the origin of American civilizations, the nature of the American races, and the rightful ownership of antiquities. Achim also brings to life an array of fascinating characters-antiquarians, naturalists, artists, commercial agents, bureaucrats, diplomats, priests, customs officers, local guides, and academics on both sides of the Atlantic-who make visible the rifts and tensions intrinsic to the making of the Mexican nation and its cultural politics in the country’s postcolonial era.
From Idols to Antiquity explores the origins and tumultuous development of the National Museum of Mexico and the complicated histories of Mexican antiquities during the first half of the nineteenth century. Following independence from Spain, the National Museum of Mexico was founded in 1825 by presidential decree. Nationhood meant cultural as well as political independence, and the museum was expected to become a repository of national objects whose stories would provide the nation with an identity and teach its people to become citizens.
Miruna Achim reconstructs the early years of the museum as an emerging object shaped by the logic and goals of historical actors who soon found themselves debating the origin of American civilizations, the nature of the American races, and the rightful ownership of antiquities. Achim also brings to life an array of fascinating characters-antiquarians, naturalists, artists, commercial agents, bureaucrats, diplomats, priests, customs officers, local guides, and academics on both sides of the Atlantic-who make visible the rifts and tensions intrinsic to the making of the Mexican nation and its cultural politics in the country’s postcolonial era.
Miruna Achim is a professor of humanities at the Universidad Autonoma Metropolitana-Cuajimalpa in Mexico City. She is the author of several books on science history in Spanish and coauthor of Death and Dying in Colonial Spanish America with Martina Will de Chaparro.
List of Illustrations
Acknowledgments
Introduction: The Uses of a National Museum
1. Genealogies
2. Measures of Worth
3. Collecting the Ruins of Palenque
4. Modes of Display
5. JosÉ Fernando RamÍrez, Keeper of the Archive
6. Whose Museum?
Epilogue: The Invention of Mexican Antiquities
Notes
Bibliography
Index
| Erscheinungsdatum | 23.11.2017 |
|---|---|
| Reihe/Serie | The Mexican Experience |
| Zusatzinfo | 22 illustrations, index |
| Verlagsort | Lincoln |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-4962-0337-2 / 1496203372 |
| ISBN-13 | 978-1-4962-0337-3 / 9781496203373 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Hardcover (2025)
C.H.Beck (Verlag)
CHF 32,15
