Zum Hauptinhalt springen
Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Invisible Now: Bob Dylan in the 1960s - John Hughes

Invisible Now: Bob Dylan in the 1960s

(Autor)

Buch | Softcover
256 Seiten
2016
Routledge (Verlag)
9781138268760 (ISBN)
CHF 66,90 inkl. MwSt
Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.

John Hughes teaches literature at the University of Gloucestershire, UK. He has published widely on Romantic and nineteenth-century literature, and twentieth-century philosophy. He has written three previous books - Lines of Flight (1996), ’Ecstatic Sound’: Music and Individuality in the Work of Thomas Hardy (Ashgate, 2001) and Affective Worlds: Literature, Feeling, Nineteenth-Century Literature (2011).

Contents: Preface; Part 1 Themes: ’Continual becoming’; Humour; Photographs; Voice; Leave taking; Aversiveness; Inspiration. Part 2 The 1960s: ’Mind like a trap’: Bob Dylan, The Freewheelin’ Bob Dylan, The Times They Are A-Changin’; ’Weird monkey’: Another Side of Bob Dylan and Bringing It All Back Home; ’There is no eye’: Highway 61 Revisited; ’Trapeze artist’: Blonde on Blonde; ’Ghosts passing through on their way to Tangiers’: The Basement Tapes; ’Not too far but just far enough so’s we can say we’ve been there’: John Wesley Harding and Nashville Skyline; Notes; Select bibliography; Index.

Erscheinungsdatum
Reihe/Serie Ashgate Popular and Folk Music Series
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 362 g
Themenwelt Kunst / Musik / Theater Musik Pop / Rock
Sozialwissenschaften Soziologie Spezielle Soziologien
ISBN-13 9781138268760 / 9781138268760
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
mein Leben

von Howard Carpendale; Sabine Eichhorst

Buch | Hardcover (2025)
Heyne (Verlag)
CHF 37,90
Westdeutschlands Reise von Jazz und Schlager zu Krautrock und darüber …

von Jan Reetze

Buch | Softcover (2024)
Halvmall (Verlag)
CHF 38,90
60 Jahre legendärer Rock : von Hannover in die Welt

von Timon Menge

Buch | Hardcover (2025)
riva (Verlag)
CHF 18,90